In the Sublime, the Valencian director Roberto Bueso delivers his second feature, arriving in Spanish cinemas this Friday. The film spotlights Carmen Machi in a leading role, and it was previewed as part of a renowned young cinema festival. Through Machi’s portrayal, the movie explores the transformative power of self-belief and how it can propel someone to the pinnacle of success.
She inhabits the role of a nun who inspires a group of youngsters through sport. In an era dominated by celebrities and social media, the film feels almost like a science fiction premise in its ambition.
Set in the 1990s, the story underscores how much things have evolved since then. The film questions what today’s youth would become if they wielded screens as their weapons. The beauty of sport, as depicted here, lies in teamwork and the belief that breakthroughs can arrive at the last moment. For the young characters, sport becomes a catalyst that reshapes their lives.
What drew you to Lots of Grace?
The thread of history. Sister Maria is 95 years old. During a recent screening, a younger relative approached the storyteller and a sense of awe settled in. A compelling report within the narrative centers on Valdo presenting a jersey that read “Thank you, sister Marina” during a First Division match. It highlighted a family’s memory of a remarkable, forward-thinking individual who loved football and believed these kids needed something to drive them. The tale had many layers—comedy, drama, and realism—and the key, for the storyteller, was how to convey it effectively.
This story isn’t strictly drama or comedy.
It mirrors life itself. Labels can be misleading, and the film resists being pigeonholed as simply a comedy or a tragedy. It carries a heavy emotional weight, anchored in the responsibility of recounting a true story that resonates for many. What unfolds is a powerful message about overcoming, staying motivated, embracing unity, refusing to give up, and finding a sense of family and belonging—even when one feels alone.
Does Carmen Machi share anything in common with a football coach nun?
Not directly. The storytelling perspective remains external to Machi’s character. Conveying the role requires stepping back, letting the character fit naturally within the narrative. The actress admires the nun’s higher values and tries to channel aspects of that inspiration into her performance where possible.
The film is set in the 90s; did you miss those days at all?
Not at all. The 90s vibe is present, but the spirit of the era is conveyed through the mood and scenes rather than nostalgia alone. The experience is rooted in that era’s energy—moments of social life, friendship, and the rhythm of daily routines that defined the time.
We’ve seen this story unfold across varied genres. Which approach feels most natural to you?
This work isn’t about seeking comfort. It’s about pursuing a path that resonates. The path chosen reflects the artist’s passions and the moments that challenge them. In different life stages, preferences change, yet the core drive remains: to do something meaningful, even if it’s uncomfortable, even if it’s dizzying. The project thrives on that tension and honesty.