News circles in the entertainment world have been buzzing after Channel One aired a festive broadcast featuring a lineup of well-known Russian pop figures. The program, filmed on December 24, drew attention when two prominent artists, Philip Kirkorov and Glukoza, were noticeably absent from the final cut. A widely followed Telegram channel highlighted the development, labeling it as notable news for fans and followers of the star duo.
The holiday concert, which included several celebrated performers, was initially recorded for a December 24 airing on Channel One. Reports suggest that Kirkorov had been introduced at the start of the show with the song Fly, Fly, but the performance did not make it to the televised version. Along with him, the joint numbers featuring Lyusya Chebotina and Mikhail Shufutinsky were also omitted from the broadcast, leaving some viewers curious about what was left on the cutting room floor.
Glyukoza, another figure from the same prominent circle, was also reportedly absent from the recording with her song Goosebumps. The official Channel One page did not offer any statements or announcements regarding these removals, fueling discussions among fans and media observers about the reasons behind the edits and the process that determines what airs during prime time.
The concert’s timing and guest list intersected with a broader media moment stemming from a high-profile party hosted by Nastya Ivleeva. That event, described in media coverage as a provocative or controversial gathering, drew considerable scrutiny from the public and authorities. A rapper named Vacio faced administrative detention on two occasions linked to the incident, and Ivleeva herself received a substantial fine for organizing the party. In the aftermath, Kirkorov and several other performers who attended the event issued apology videos in an effort to address public reaction and media coverage.
As the conversation continued, it was noted that Kirkorov had traveled to Dubai shortly after Ivleeva’s party, a detail that some observers cited when discussing the artist’s public appearances and professional commitments in the weeks that followed. The sequence of appearances, apologies, and travel has been part of a broader discourse about responsibility, accountability, and the pressures that public figures face when their personal choices intersect with their professional obligations. In any case, the December broadcast remains a focal point for fans who expected a complete lineup and for analysts who track how edits can shift a live event into a televised experience that resonates differently with audiences across the country.
Industry commentators emphasize that changes to a recorded program can stem from a variety of practical considerations. These include artistic licensing, licensing rights for specific performances, or editorial decisions aimed at pacing and thematic coherence within the broadcast. In the weeks following the event, observers have reflected on how such edits influence both the public image of the artists involved and the reception of the show as a reliable holiday centerpiece. By analyzing the available information, audiences can glean insights into how broadcasters curate star power for a nationwide audience, balancing star turns with the overall narrative of the program.
From a broader perspective, this incident underscores the ongoing tension between celebrity visibility and the controls that media organizations exercise over what finally appears on screen. Followers of the pop music scene in Russia and international audiences who track these dynamics may view the edits as a routine part of televised production or as a signal of deeper shifts in how public figures manage their media presence. Regardless of interpretation, the situation demonstrates that even highly publicized and well-promoted events are subject to editorial decisions that shape the story told to viewers across Russia and beyond, sometimes in ways that prompt further discussion about fairness, transparency, and the responsibilities of broadcasters to their audiences and to the artists they feature.