Lolita Milyavskaya Responds to Ivleeva Controversy and Tour Cancellations

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The Telegram channel of singer Lolita Milyavskaya addressed the fallout from Nastya Ivleeva’s provocative event, clarifying reactions around her concert schedule after Ivleeva’s controversial naked party. The discussion centered on how public appearances and media sensations influence touring plans and audience expectations in the Russian entertainment scene.

According to Milyavskaya, she herself was not shaken by the news, expressing faith that everything happens for a reason. She conveyed a calm acceptance, noting that life moves on and that she trusts the course of events. The artist revealed a personal moment in which she admitted not having washed the floors for two months, illustrating the gap between public perception and private life. She then shared a video showing herself engaging in a routine wet cleaning, highlighting a relatable, everyday reality behind a public figure.

In her own words, she joked about the length of time since she last tidied up, suggesting that her career might have affected her domestic routine. She described feeling nearly retired and joking about becoming a housewife, while also noting that spring was approaching and there were practical tasks like pruning shrubs to take her attention. The remarks offered a candid, lighthearted glimpse into how a well-known artist balances fame with ordinary chores.

Reports indicated that a planned Lolita Milyavskaya show in Tyumen, scheduled for December 28, was canceled due to Ivleeva’s party involvement. Concurrently, ticket sales for Milyavskaya’s Kurgan performance were halted, and a Barnaul stop was removed from the tour calendar. These changes reflected how media events around a single public figure can ripple through an entire performance itinerary, affecting venues and fans across multiple cities.

Nastya Ivleeva’s Almost Naked party took place on December 20 at the Mutabor club, where the dress code called for guests to arrive partially unclothed. The event and some participants drew sharp criticism. Ivleeva issued apologies along with other artists who attended, signaling accountability in the aftermath of the controversy and a broader discussion about media entertainment boundaries and audience sensitivities.

Further context on how the involved parties were treated and the consequences of the incident was covered in related reporting, including analyses of public and industry responses. The situation prompted conversations about media responsibility, celebrity accountability, and the social impact of high-profile events in the entertainment industry, with ongoing coverage and commentary from multiple outlets. A separate development mentioned is the release of a New Year promotional poster by Kirkorov, indicating continued promotional activity in the music scene despite the controversy.

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