In an interview with Sergei Dvortsov, the producer of Pierre Narcisse, details emerged about a significant setback for singer Lolita Milyavskaya. Dvortsov explained that the star had lost more than seven million rubles, a loss tied to the fallout from Anastasia Ivleeva’s now infamous party, described in the media as a revealing event. The producer noted that this money could have been earned through concerts that were subsequently canceled, painting a picture of a tour schedule disrupted by the controversy.
From Dvortsov’s perspective, the episode was a difficult moment for Lolita and her team. He characterized the situation as terrible, underscoring the emotional and professional strain that accompanies such public disputes. Despite the gravity of the moment, Lolita remained resilient. The producer shared that she has redirected her energy toward personal tasks at home and has found time for recovery, including rest. He added that Lolita stays hopeful about the future and a return to touring, with plans to bring a concert program to audiences across the country once conditions allow.
On December 21, 2023, Lolita attended what was described as a provocative party hosted by TV presenter and blogger Anastasia Ivleeva at the Mutabor club. The event drew intense media attention and sparked a chain reaction in the industry. Following the spectacle, Lolita’s performance at the Winter Show in the Moscow region was canceled, and the appearance was subsequently omitted from Krasnodar TV’s New Year broadcast. The episode highlighted how quickly a public controversy can influence booking decisions and broadcast plans, affecting not only the artist but the broader production ecosystem connected to the show.
Reports emerged on January 12 via the Mash Telegram channel, noting that a planned Lolita concert in Omsk on March 27 had been canceled at the request of local community groups. The article suggested that the artist was prepared to suspend additional performances in light of the ongoing controversy. This development illustrated the cumulative impact of public perception on scheduling and the delicate balance artists must navigate when confronted with difficult media narratives.
Earlier discussions from Lolita herself touched on the hypothetical scenario of a world with all concerts canceled. These remarks provided a glimpse into how a performer might adapt financially and creatively when faced with a sudden shift in career momentum. The thread through these events shows how quickly a public image, venue decisions, and fan engagement can converge to shape a touring schedule and media coverage, even amid ongoing speculation about compensation and future opportunities.