Dmitry Krasilov, known in the dance world by the nickname Puhlyash, was a figure whose life intertwined with a vivid, high-energy career and a very human vulnerability. His friend and producer, Sergei Dvortsov, recalls a troubling conversation from about six weeks before the events that brought him into headlines. Dvortsov spoke with aif.ru, describing a man who was wrestling with serious health demands while living a lifestyle that had long been his hallmark.
According to Dvortsov, Krasilov had to confront strict restrictions: no alcohol, no cigarettes, and a careful, disciplined approach to meals. He faced these changes at a time when his artistic tempo was relentless, and his days rarely settled into routine. Dvortsov painted a picture of a traveler who thrived on motion, a dancer who moved constantly and rarely slept in the same place twice. The producer recalled that Krasilov lived with intensity, seldom choosing the predictable path and often being on the move rather than at home.
Dvortsov remembered meeting Krasilov on the last day of the dancer’s life, a moment that happened at the Moscow Oktyabr cinema. The encounter was not a celebratory or public one; Krasilov declined to be photographed and said he felt very unwell. His decision to skip the premiere struck Dvortsov as unusual, a sign perhaps of his deteriorating condition. The producer noted that the dancer’s reserve was more than a mood—it seemed tied to a real physical struggle that was hard to hide from those who knew him well.
In his reflections, Dvortsov acknowledged that he had advised Krasilov repeatedly to steer clear of alcohol, hoping to guard his health. He was clear that Krasilov did not heed those cautions, a choice that the producer believed stemmed from a combination of temperament and a stubborn, impulsive streak that characterized the dancer. The producers’ observations speak to a dangerous tension between artistic life and personal well-being, a dynamic many performers face but which Krasilov navigated with particular intensity.
Authorities later reported that Krasilov, who was often a magnetic and dynamic presence on stage, had no detectable drugs in his system at the time of the investigation. The case drew attention to a medical condition described as endocrinopathy, a disorder impacting the glands that regulate hormones within the body. This health issue added a layer of complexity to Krasilov’s already demanding life, hinting at why his energy sometimes translated into unpredictable bursts as well as moments of obvious fatigue. In the wake of these findings, it was noted that Krasilov passed away at his own residence on the night of December 18, leaving behind a single heir, his mother Galina. The family’s sorrow was compounded by the sudden shift from a life of public triumph to private mourning.
Earlier reports mentioned that Krasilov had been hospitalized at one point, suggesting that his health battles extended beyond a few days. The narrative surrounding his final days emphasizes the challenges that can accompany a life devoted to performance—where the line between discipline and strain is easy to blur. The broader takeaway from those who knew Krasilov is the image of a gifted artist who faced real health hurdles with courage, even when the path forward was unclear. The recollections of his friends and colleagues, paired with official health updates, paint a portrait of a dancer whose drive and charisma were matched by a private struggle with illness, a story that remains a poignant reminder of the human side behind a public career. [Attribution: aif.ru]