We are at the Cuatro studios in Tres Cantos, Madrid, during Zapatero’s death rattle. The guest that Concha García Campoy will be interviewing is Esteban González Pons, deputy of Valencia, and much more. Today he is still perhaps the most important politician in the PP who has never been a minister, and this will be evident in the official portrait of the State Department, but let’s go back to the past. Behind the scenes on television, the protagonist was surrounded by a variety of commentators, which could include Ernesto Ekaizer, Fernando Ónega, María Antonia Iglesias, José Ignacio Wert or Victoria Lafora.
González Pons speaks to such a distinguished audience in front of and behind the cameras, without any complexity. Absolute isolation between Mariano Rajoy’s Genoa and the Valencia of Francisco Camps. As an example, he gives a call from the national president demanding that the president of the Valencian Generalitat get on the phone. González Pons is holding the device, but the district leader signals him with his hand to take a break from the other and not speak to an insistent Madrid. This is a scene worthy of the Marx Brothers, but here the figure of the fireproof intermediary is of particular interest. And its validity, because they call him the corporate deputy general secretary of the People’s Party, but Alberto Núñez acts as Feijóo’s chief negotiator, culminating in the bipartisan funeral of the General Council of the Judiciary.
To put himself in a situation where Camps travels in Formula 1 in a suit and Rajoy loses consecutive picks to Zapatero. González Pons then kept the phone in solitary confinement and now continues to play the same role between Sánchez and Feijóo. In the current bonfire there is only one of the corners of the triangle that will not be scorched by a forensic wick, the eternal survivor, an expert in harmony with the environment and the audience.
Only able to bridge, the Pons, as the name suggests, will come out unscathed not only by those they hate, but even by those who are indifferent to it.
New flash back. Off the record (Spanish’s English is improving), González Pons he ruined his party like a coroner with no respect for the gut, with the same expertise displayed by the divine Rubalcaba in the same forum. Once before the cameras, the chief negotiator of the PP today always agreed with his interlocutor and his enemy, and said otherwise. Did it make you feel important or powerless? In politics, which is the art of lying by faith, it is possible to talk about versatility, not hypocrisy. Everyone feels comfortable next to the Valencian politician.
Pons always swim because he has learned to overcome the traps that his own party is stranded in every day, it is much easier to outrun the left. Simulating love for deeply despised people requires mastering the art of thoughtlessness worthy of Baltasar Gracián. The PP mail in the government not only weaves a web of complicity with its enemies. Even more difficult, he bridges the literal application of his last name with characters who evoke a radical indifference in him.
Having the big man’s sympathy, Pons is the politician himself, engaging in dialogue because he carries out the two voices of the conversation. He is an ideal rep if you have him with you, but you will never have him with you. Feijóo comes to the presidency of the PP unexpectedly, especially for himself. Without the presence of the mind to deeply direct a surgical repair, he entrusts himself to people who do not excite him, see Cuca Gamarra or his chief negotiator.
Pons is right, but the Latin darling formula for collecting indelible citations from democracy will continue to describe the resumption of PP/PSOE talks in the General Council. “We’ve given ourselves one last chance. Anyone who has had a partner in this life and has given them one last chance knows what we’re talking about. Play it all or nothing. Apart from dandruff sticks, the most important thing is not to mention the popular in first-person who takes over the power it delegates, but also to the socialists” we”. Pure Pons takes up the whole space.
Georgian sculptor Zurab Tsereteli erected a 100-metre-tall statue of Christopher Columbus to commemorate the fifth centennial of the discovery of America. Undoubtedly, the artist could not get a person to buy his monument, so without the complexes, he changed the navigator’s face for the face of Peter the Great, and today the embankment commemorates the Tsar along the Moscow River. Sometimes you have to look for parables in exotic geographies, but this paragraph could have spared us the lengthy descriptions of Esteban González Pons’ successive loyalties.
Source: Informacion
Ben Stock is a business analyst and writer for “Social Bites”. He offers insightful articles on the latest business news and developments, providing readers with a comprehensive understanding of the business world.