Money, Bets, and Beers: A Look at Donor-Driven Streams

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In a series of online incidents, publisher Andrey Mellstroy Burim reportedly directed large sums toward a group of bloggers in 2020, prompting controversy around his interactions with the streaming community. The events were described by a portal known as The Executioner, which highlighted how these payments came with unusual requests tied to on-air activities and audience engagement.

The sequence began on August 5, when Mellstroy sent Vitaly Papich two donations of five hundred thousand rubles each. These gifts were accompanied by a request for Papich to play Dota 2 on stream, inviting continued audience participation and entertainment value. A couple of days later, Mellstroy followed up with a further donation of one million rubles after proposing a similar gaming session and then a second one million rubles with a lighthearted prompt to take a beer break while the game proceeded.

Important transactions continued on August 8, when Burim transferred five million rubles to the streamer known as Jesus with a directive to shave his head. An additional one million rubles was sent to Papich with the same casual tag to enjoy a beer as the gameplay rolled on. These gifts underscored a pattern where generous donations were tied to specific on-air actions, shaping the behavior of the broadcasters involved and the expectations of their audiences.

Burim also sent three hundred fifty-three thousand rubles to a creator using the alias By_Owl. The accompanying message, attributed to another blogger, Evelone191, read that Burim had lifted a weight from his conscience and sought to return to an earlier personal path, even hinting at a readiness to take risks previously avoided. While the streams showed a mix of humor and drama, the involved parties later clarified that any supposed romantic link was not accurate, and there was no verified relationship between the streamer and Evelone191. The situation appeared to hinge more on mistaken identity and the complexities of online interactions than on real-world intimacy.

According to Ilya Korobkin, who goes by the handle Korobkin online, Burim reportedly carried substantial debts—tallying up to around 30 million rubles. Yet, for reasons that remained unclear, he continued directing funds to other publishers. Observers noted that the recipients often welcomed the generosity, with Papich reportedly expressing openness to further long-running Dota 2 streams if the donations persisted. The dynamic suggested a broader ecosystem where financial support could influence content schedules, livestream frequency, and the overall atmosphere of the channels involved.

In another episode, a former blogger, Ilya Maddison, was described as receiving eight hundred thousand rubles in exchange for watching three films during a live stream. This exchange highlighted the varied ways in which viewers and supporters could monetize or fuel on-air entertainment through a combination of donations, challenges, and agreed-upon viewing experiences.

Source commentary throughout these accounts emphasized the impact of monetary gifts on streaming behavior and the perception of control within online communities. The reporting also hinted at the tension between personal accountability and public performance when financial incentives intersect with media personalities and their audiences. The discussions raised questions about how donors shape content decisions, the responsibilities of broadcasters, and the potential for misunderstandings to escalate into broader reputational concerns for everyone involved. In all, the episodes reflect a marketplace of attention where generosity can steer creative direction, while also exposing the fragility of trust in online collaborations as participants interpret signals differently and navigate blurred lines between entertainment, compensation, and personal boundaries.

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