Yesterday afternoon, Bricio Segovia stepped onto the set of Yahora Sonsoles to share three major developments that have unfolded in the country over the past hours. The most unexpected twist, however, came when Segovia announced that he would be leaving Rebeca Haro’s show for good, signaling a significant change for the program and its audience.
The Antena 3 journalist, who had already earned the nickname of the program’s “fourth headline” for her reliable contributions, delivered a message on her final day in the studio that carried both gratitude and reflection. She expressed that it had been a genuine pleasure to accompany viewers throughout the season, to peek into the hosts’ lives, and to engage with the entire crew and the loyal audience who tune in every afternoon. The sentiment was clear: appreciation for the collaboration, the shared moments, and the opportunity to be part of a familiar routine that many families have come to rely on.
On cue, the set erupted in applause as colleagues and guests echoed their thanks. Rebeca Haro, host of Yahora Verano, joined in with a warm acknowledgment, wishing Segovia good luck and inviting him to keep in touch. She concluded with a note of goodwill, thanking him for his contributions and looking forward to future chances to cross paths, even if it would be from a different angle. The exchange underscored the sense of community that characterizes the show and the professional respect among the team.
In this moment, Yahora Sonsoles loses one of its principal faces. Segovia has been a staple of the program since last October 2022, bringing a steady presence and a clear voice to the format that he helped shape. His role extended beyond the main segments, with appearances on Espejo Público contributing to his visibility and the show’s narrative. As the audience processes this retirement from the show, the broader production will anticipate restructuring, new responsibilities, and perhaps fresh energy to fill the space his departure creates. The departure marks not just a personnel change, but a turning point for the program’s dynamics, the newsroom’s rhythm, and the way viewers connect with their afternoon lineup.