In a candid conversation with journalist Laura Dzhugeliya, Victoria Daineko opened up about her experience in the Star Factory project, particularly her moments working alongside People’s Artist of Russia Alla Pugacheva. The singer spoke with a reflective tone, recounting how the project’s casting unfolded and how the encounter with Pugacheva became the turning point that shaped her decision to audition and pursue a place on the show. Daineko explained that her motivation to participate was closely tied to the chance to work with a figure she deeply admired, and the serendipitous way she first learned about the competition added an almost fateful layer to her story. A casual meeting on a bus with aspiring contestants brought the show into her orbit, and a later revelation that the Diva herself was involved in selecting participants sealed the decision to take part, turning curiosity into commitment. The narrative emphasizes how a small, everyday moment can lead to a life-changing opportunity in the intense world of televised artistry.
Daineko described the casting process as a moment of truth, where her vocal performance stood out in a sea of hopeful talents. She did not shy away from acknowledging the fierce competition among the other contestants, and she made a point of paying tribute to those who stood beside her during auditions, including colleagues who sang softly while she took the spotlight. Her remark about standing out against the backdrop of others who performed in whispered tones highlights the pressure and exhilaration that accompany such high-stakes moments. The singer’s words capture the atmosphere of a room full of aspiring artists, where every note matters and every glance can make a difference in the judges’ minds.
Daineko went on to share that Alla Pugacheva devoted substantial time to the Star Factory participants, treating the group with a mentor’s care and a leader’s clarity. The Diva’s influence appeared not only in technical guidance but also in the everyday warmth of conversations held at the table, where practical advice, personal stories, and strategic reflections mingled. These exchanges, Daineko noted, offered emotional and professional support that helped shape the contestants’ approach to performance, stage presence, and resilience under scrutiny. The sense of guidance extended beyond vocal technique, encompassing a philosophy of performance, self-belief, and the discipline required to grow under public observation.
In a brief but meaningful personal note, Daineko mentioned that she had recently been at a distance from her former partner, Alexei Vorobyov, and that their communication had not resumed for quite some time. The observation underscores how life outside the competition continues to influence an artist’s career, reminding readers that public personas are intertwined with private histories. The interview portrays Daineko as someone who navigates both the intense visibility of a national project and the quieter, everyday realities of personal relationships, maintaining focus on momentum during a pivotal phase of her artistic journey.