Singer Victoria Daineko spoke about the departure of Alla Pugacheva from Russia in a recent interview with journalist Laura Dzhugeliya. Daineko chose to frame the moment as a personal decision rather than a judgment of Pugacheva. She emphasized that everyone is entitled to their own point of view, even when it differs from others, and she cautioned against condemning people for their choices. In her view, respect for individual decisions is a sign of maturity and civility in public life.
Daineko admitted that the news of Pugacheva leaving the country caused her disappointment. She described the move as an act that was difficult to understand and, from her perspective, rather perplexing. The artist noted that since a certain major event began to unfold, a shift in sentiments and public discourse had become evident, making some relationships and conversations less comfortable than before.
She explained that her social circle had narrowed since the onset of the ongoing conflict, which had influenced many people’s behavior and the tone of public discussions. Daineko shared that she stopped engaging with some individuals because their statements did not align with her values or struck her as unkind. Rather than entering into disputes or trying to prove a point, she opted for distance and reflection. This stance, she said, helped her maintain peace of mind amid a period of rapid and painful changes in the country’s social landscape.
Looking back, Daineko recalled a period when she had supported Pugacheva in practical ways. She mentioned that, for the sake of Pugacheva, she had gone to a casting for the project Star Factory. During that time, Pugacheva spent considerable time with the participants, offering guidance and assistance. Daineko described Primadonna as someone who invested effort and emphasis on helping others grow in their craft, a quality that left an impression on the participants and on the wider team involved with the project. This memory highlights a facet of Pugacheva’s public persona that contrasts with the more recent absence from the national stage. The interview underlines how personal relationships and professional allies adapt in response to shifting circumstances and national events, shaping a performer’s legacy in real time.