Finalist of the show, Maria Mirova, reflected on the evolving dynamics of The Voice in a recent interview with 7days.ru. She noted that the competition appears tougher in the children’s music project this time around and spoke candidly about the heightened level of performance among young contestants.
She compared the scenario to an adult version of the show, remarking, It seems to me that there is a competition like The Voice. There was no child 2 because we are already adults; we are artists and we come from different backgrounds, which makes the field vibrant. There is no reason to prove anything to one another, she explained, underscoring a sense of mutual respect among competitors.
During her time on The Voice project, Mirova observed that participants who asserted they were no longer children often rallied around one another. They supported each other, engaged in constructive conversations, and treated each other with genuine respect. The performer recalled accepting the invitation to join this edition of the show right away, having previously attempted to enter the adult version of The Voice but, as she shared, the application was not accepted due to an oversight in submission. This experience, she added, helped shape her career in ways she now cherishes.
She added that the project reinforced the momentum of her journey and that participating again brought a sense of fulfillment. It opened doors and allowed her to reflect on how far she had come since first stepping onto the stage, turning a hopeful chapter into a lasting chapter of her professional life.
On October 21, Veronica Syromlya emerged as the winner of the program No More Children. Syromlya had previously been part of Yegor Creed’s team and reached the finals in the fifth season of the children’s version of The Voice. Alongside her, several other finalists—Ragda Khanieva, David Sanikidze, Ivan Kurgalin, Maria Mirova, Olesya Kazachenko, Maria Panyukova, and Renata Tairova—also advanced to the final rounds of the new show, marking a notable convergence of talent across generations.
Earlier in the season, Masha Rasputina commented on her own career trajectory, signaling a return to positive public perception after a period of notoriety. Her remark echoed a broader theme of reinvention and resilience that has defined the current season, as performers across the spectrum navigate the pressures and opportunities of a show designed to spotlight both seasoned artists and rising stars. The conversations surrounding these artists illustrate how a competition can serve as a catalyst for renewed public interest and artistic relevance, even as it reshapes the narratives that accompany individual journeys on screen.