The conversation between the artist and Andrei Gubin touched on a controversial moment involving the singer Akula, real name Oksana Pochepa. Reports suggest that during their exchange, Gubin mentioned a claim that Pochepa had been involved in an incident that referenced her skirt being lifted. The singer acknowledged that their paths had crossed at one point, but she did not confirm the details of any specific event. She described a moment when Gubin approached her, yet she felt the interaction did not lead to further acquaintance, and she kept her distance afterward.
The musician himself responded by saying he never engaged in actions of that kind. He claimed that lifting skirts was something he reserved for special occasions, and emphasized that he treats women with respect. He added a conditional sentiment about possibility, stating that if an action could occur it would, but if not, it would not. The statement aimed to frame his behavior as measured and appropriate, though it did not fully address the broader public debate around the allegations.
Gubin characterized his own persona as balanced and conventional. This stance drew a counterpoint from Lyudmila Kobevko, who has criticized him for being overly controlling and somewhat authoritarian. The public debate highlighted a tension between public image and private conduct, with Kobevko arguing that even well-known musicians should maintain a standard of behavior beyond fame. The artist at the center of the discussions insisted that personal life should remain ordinary and unremarkable, denying that he had ever tried to suppress anyone or manipulate their actions in private matters.
Allegations resurfaced in October when a singer known by the stage name Shark claimed that Gubin had harassed her. According to Shark, the confrontation occurred when the artist approached from behind and attempted to lift her skirt. She clarified that she interpreted the approach as a method of meeting, and she described her discomfort in the moment. The account added to the mounting scrutiny around how public figures handle personal boundaries and the expectations of those who work in the entertainment industry.
Meanwhile, audiences had recently reacted to a live performance by a well-known comedian who paused a show after a lyric referencing concerns over a conflict in a distant region. Spectators cited the content as a reason for walking out, illustrating how lyrics and stage content can spark real-world consequences and conversations about sensitivity, memory, and political context in entertainment. The episode underscored the ongoing conversations about responsibility in art and the impact of creative choices on audiences worldwide.
Throughout these discussions, observers note the importance of clear statements and consistent behavior from public figures. The balance between personal boundaries, artistic expression, and public expectations continues to shape how artists are perceived in the media, and how credible accusations are addressed or dismissed. In this landscape, both fans and critics seek transparency, accountability, and respect in every interaction among performers, managers, and colleagues who share the stage and the studio.