The public discussion surrounding Lenkom Theater continues as Andrei Karachentsov weighs in on the speculation about his father’s departure from the institution. He counters claims that the move stemmed from disagreements with the theater’s director, Mark Varshaver. Andrei speaks for his family with a steady voice, noting that Lenkom has always felt like a second home to both his father and his mother, Lyudmila Porgina. He emphasizes that a single dispute cannot erase the deep bond with a theater that has meant so much to them. The son affirms that maintaining peace is important and that the family seeks a quick resolution to any tensions that might exist.
According to Andrei, the family has tried to prevent the situation from escalating. The aim remains to keep life at home and in the theatre from spilling into ongoing conflicts. The hope is to reach a place where relations can be repaired and everyone can move forward without bitterness. The family member reiterates a desire for harmony and patience during a period of adjustment.
Lyudmila Porgina has earlier discussed her own stance on leaving Lenkom. She described the theater as a place where she shared stage time with many notable colleagues. Yet she has expressed a personal burden tied to the professional environment, citing repeated humiliations and a long period of strain. Her reflection points to a broader question about the emotional and physical toll of demanding work in a high-profile artistic setting. The actress has spoken openly about a stress-related health sensitivity that has accompanied her career, underscoring the heavy price paid by those who dedicate themselves to the performing arts.
In related news, there have been ceremonial announcements from other esteemed institutions about Wagner related productions, illustrating the ongoing vitality and cultural life of Russia’s theatre world. These developments sit alongside the Lenkom discussions, painting a broader picture of how actors and theatres navigate creative pressures, public expectations, and the personal costs of a life in the performing arts.
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