Rumors surrounding Katya Lel intensified after she appeared on the VK Video program About the Unseen, where she allegedly described a dramatic encounter involving an alien and a mysterious tooth. While she spoke in a reported interview, the specifics circulated widely, fueling speculation across fan communities and online forums about extraterrestrial contact and what it might mean for her music career and personal beliefs.
According to Lel, she was told that aliens maintain records of human DNA in their libraries and that teeth, in particular, hold DNA sequences capable of revealing intimate details about a person. She recounted that she would have dismissed such a claim as fantastical were it not for the experiences she has personally witnessed. In her account, the tooth theft narrative was tied to a broader visit from otherworldly beings, a visit she described as part of a larger pattern of encounters that have shaped her worldview and creative process.
Lel asserted that the alleged visitors came to Nalchik, citing the region’s distinctive energy and mountainous terrain as a magnet for such events. Following the claimed incident, she said, several ufologists approached her to exchange information, suggesting that the digression into dental forensics was part of a larger research inquiry into human interactions with extraterrestrial life. The singer’s supporters and skeptics alike debated whether these claims point to a broader cosmic connection or are manifestations of personal myth-making that inform her artistry.
In her storytelling, Lel described a belief that humans are the product of alien influence, saved or guided by the emotional power of music. She stated that beings from other planets may direct humanity toward light and love, framing her work as part of a cosmic narrative rather than a purely terrestrial one. This perspective, shared with listeners and critics, has become a talking point in discussions about how artists incorporate extraordinary experiences into their creative identities and public personas.
During the program, it was indicated that Lel would discuss how a particular Evren song influenced her rise on global music charts. The episode reportedly included other figures from the Ekmek group as guests, contributing to a broader conversation about the fusion of music, spirituality, and rumored contact with extraterrestrials. The dialogue presented a mix of personal testimony and interpretive analysis, inviting audiences to consider the influence of perceived contact experiences on artistic direction, stage presence, and audience connection.
Historical notes in the narrative claim that Lel first made contact with extraterrestrial civilizations in 2019. She recounted a childhood moment when, at age sixteen, she believed aliens visited her home in Nalchik, placed her aboard a spacecraft, and removed her teeth. Whether these recollections are recalled from a dream, memory, or symbolic storytelling, they have become a core element of her public persona and the thematic backbone of several performances and interviews that followed.
Earlier statements from Lel regarding her living conditions and artistic needs touched on the practical side of her career. She outlined the main conditions of her rider, a reflection of how she balances personal belief, creative demands, and professional responsibilities while touring or recording. The broader public response has ranged from fascination to questioning, with many fans seeking to understand how such experiences translate into musical expression, stagecraft, and stage costumes, and how they influence her reception in different markets and media landscapes. The dialogue surrounding these claims continues to unfold across social media and entertainment commentary, highlighting the enduring intrigue that surrounds artists who blend personal myth with public performance. The overall discourse points to a larger trend where music and belief intersect in ways that invite diverse interpretations and ongoing curiosity.