A conversation with the singer Katya Lel revealed a routine that blends personal ritual with a belief in small, everyday signs. In discussing a daily practice, Lel described how sacred water is incorporated into the day from the moment of waking and again before drifting off at night. The routine is not presented as a rigid creed but as a gentle, almost ritualistic check-in with the self, a way to set intention before sleep and to ground the hours that follow upon waking.
What stands out in Lel’s account is a nuanced approach to spirituality. While not aligning with a specific branch of mysticism, Lel stays attentive to traditions and symbols that many people encounter in daily life. A simple street scene can become meaningful, such as walking past a black cat and choosing to observe rather than react with superstition. This openness to subtle signals and coincidences suggests a mindset that seeks meaning in small encounters rather than chasing grand certainties.
On the topic of fortune-telling, Lel offers a practical stance. Skepticism is clear, rooted in the belief that a person actively shapes their future through choices, focus, and belief in oneself. The idea that the mind can influence outcomes is treated as a personal empowerment tool, not a prediction machine. Lel emphasizes that positive mental energy and faith have a real impact, helping to dissolve negative vibrations that can cloud judgment or slow progress.
There is also a candid part of Lel’s narrative about handling objects believed to harbor ill will. Earlier experiences involved discarding pillows and other talismanic items, yet the singer notes there was nothing to fear in such matters. Instead, the act of removing potentially harmful props appears to be more about reclaiming space and resetting one’s environment. In this view, misfortune is not something to fear but something to be redirected, especially when the individual takes a proactive stance toward their surroundings.
In the singer’s own words, a guiding phrase learned from a grandmother echoes through the stories shared. The idea that bad wishes tend to return to their origin forms a sort of practical wisdom: harm sent outward can rebound, sometimes amplified, and the best response is steady resolve. This outlook frames challenges as temporary forces that testing someone’s resilience, rather than as definitive verdicts about a person’s future. The sentiment is presented as a reminder to stay anchored and not to overreact to the noise that often accompanies public life in the arts.
Earlier conversations also touched on the reactions of colleagues in the industry. Lel recalled being taken aback by comments from Lolita Milyavskaya regarding what were described as hallucinatory experiences in the singer’s life. Those remarks seem to have sparked reflection rather than offense, highlighting how different creative voices interpret unusual events. The exchange underscores a broader theme in Lel’s public narrative: the tension between personal experience and public interpretation, and the fine line between mystique and frankness in sharing one’s story. Lel appears mindful of how words travel, choosing to frame experiences in a way that invites curiosity while maintaining a sense of private boundaries. This balance is presented as part of a larger philosophy about storytelling in the music world, where readiness to discuss unusual moments can coexist with a clear boundary around what is shared openly.