Actress Olga Ostroumova spoke during a broadcast of Morning, candidly revealing a personal stance on television appearances. She admitted that she did not attend programs hosted by Andrei Malakhov or Dmitry Borisov, explaining that she does not enjoy such TV formats. Ostroumova emphasized, and it stood out clearly, that she does not watch television and prefers to stay away from those kinds of shows. In a warm, reflective mood, she also opened up about a preference she has long held: anniversaries aren’t her favorite occasions. The 75-year-old star shared that she recently appeared on stage in a production titled Fight Alone, where the troupe of senior actors celebrated one another, and her colleagues took a moment to acknowledge her 75th birthday while the story line in the play naturally incorporated birthday celebrations for the characters. This small onstage moment underscored a sense of belonging and mutual support among veterans of the stage who continue to work together with a shared history.
She remembered a time in youth when Moscow evenings felt safe enough to stroll through the city alone, without fear. Those days, she noted, were quite different from today, when family responsibilities have shifted and grown, especially since she now keeps track of five grandchildren. The memory painted a vivid contrast between a freer, more carefree past and a present filled with constant attention to family life. Ostroumova recalled leaving the Railroad Workers’ Club as late as ten in the evening, after studying at the People’s Theater, with a sense of security that allowed such late departures. Now, with a bustling family and five grandchildren to monitor, she finds herself in a perpetual state of vigilance and communication, ensuring that every grandchild feels connected and supported. The older artist concluded with a quiet reflection on how life has evolved, balancing professional commitments with the urgent duties of grandparenthood, and acknowledging the emotional labor that accompanies aging while remaining deeply connected to her family and craft.
Formerly, Ksenia Borodina discussed the costs associated with school uniforms for their daughters, revealing the practical side of life that accompanies public figures. The exchange highlighted the everyday realities that even well-known performers navigate, reminding audiences that fame does not shield families from ordinary expenses and planning. Ostroumova’s remarks, juxtaposed with Borodina’s disclosure, offer a broader portrait of the pressures and routines that shape the lives of actors beyond the stage and screen, illustrating how personal choices and financial considerations blend with a public persona. In this light, the actress’s candidness about media preferences, aging, family, and everyday responsibilities adds a human layer to her enduring presence in the arts, inviting a nuanced appreciation of a life lived both in front of audiences and within the rhythms of home life.