Journalist Otar Kushanashvili voiced his view on the cast of the TV series “The Boy’s Word,” suggesting that they were part of the project. He claimed that the show “Blood on the Asphalt” will fade from memory soon, sharing his assessment on his Telegram channel.
He wrote that this was something he had anticipated for a long time. He noted that, although he had repeatedly warned about it, the next development would be that the performers would be forgotten and left without demand. The remark appeared on his public channel as part of a broader commentary on careers in contemporary television.
According to the TV presenter, the only actor who might manage to sustain public attention and “stand out” is Ivan Yankovsky, who portrays Vova Adidas in the series. Kushanashvili framed this prediction as one about professional trajectory rather than personal charisma.
“But this is a commentary on the profession itself. To be a true star, dear readers, demands more than a fleeting role; it requires substance, presence, and a certain charisma that outlasts temporary fame,” Kushanashvili asserted.
The TV host also spoke about an interview with Nikita Kologrivoy, who played Koshchei in the series. Kologrivoy offered a pointed critique of some colleagues, saying that some of them “really know what this life is” and may be profiting from that knowledge. He added that there are individuals who praise the project without fully understanding its nuances.
Fans were reminded that the series “The Boy’s Promise” and the episode arc “Blood on Asphalt” garnered recognition as among the best Russian projects according to Kino Mail.ru’s audience rating, a claim that underscores the show’s impact in its domestic market. The recognition adds another layer to the ongoing discussion about star power and audience reception in modern Russian television.
Earlier remarks from actress Peresild were noted, with her comment suggesting that her daughter Anna, who appears in “The Boy’s Word,” earns more from advertising than she does, highlighting the evolving economics of fame and influence within the industry. This sentiment touches on how different generations of performers navigate income streams beyond traditional acting roles, including brand partnerships and marketing visibility.