Nikas Safronov spoke candidly about his family and the paths his children have chosen in recent years. He noted that his son Landin plans to come to Russia to study the language and immerse himself in the culture. This intention reflects a deep curiosity about the artist’s homeland and a desire to build a bridge between generations, with Landin eager to understand the nuances of Russian life firsthand. Safronov described Landin as someone who is drawn to the rhythms of the country his father represents, and he framed the move as a personal journey rather than a mere visit.
“He really loves our culture and wants to get to know it more deeply,” Safronov stated, highlighting the emotional motivation behind Landin’s decision. At present, Landin resides and works in Austria, where the family’s ties to their roots mingle with contemporary European life. The artist added that recently his son has begun earning a substantial income, a development that has allowed Landin to pursue opportunities with greater independence and financial stability. The note about Landin’s earnings underscored a broader theme in Safronov’s life: the growing self-reliance of his children, which gradually shifts the family dynamic toward mutual respect and distance when needed.
Safronov also expressed concern about seeing his children abroad, acknowledging the physical and emotional challenges that come with long separations. He recalled how, before the global pandemic, the family regularly gathered with one another, sharing moments across borders. The disruption caused by the pandemic and the subsequent international events created a prolonged period of separation, making reunions feel rare and precious when they finally occurred. The artist spoke with a sense of longing for those simpler times, while also recognizing the resilience that distance has demanded from everyone involved.
“My second son Stefano lives in Paris,” Safronov continued, noting that distance has been a constant factor in his family’s modern life. He described ongoing efforts to coordinate visits and maintain close ties despite the geographic spread of family members across Europe. The efforts to stay connected illustrate a broader narrative about modern families who navigate international careers, frequent relocations, and shifting economic realities while trying to preserve a sense of unity and shared memory.
According to Safronov, he has ceased providing direct financial support to his children, a decision that aligns with the growing ability of his sons to stand on their own feet. He emphasized that his relationship with them remains rooted in mutual respect and emotional backing rather than monetary assistance. This change reflects a broader transition many families experience as adult children establish their own households and begin to manage their livelihoods independently, even as the emotional bonds stay strong across distances.
Nikas Safronov has a history of multiple marriages. His first wife was a woman from a Yugoslav background named Dragana, while his second partner is French, named Francesca. In this second marriage, the artist had a son named Stefano, who has since become a central figure in the family’s narrative. Beyond these recognized children, Safronov also has several other sons, including Luka Zatravkin, Alexander Filimonenko, Landin, and Yuri, who have been described as illegitimate in some accounts. The family dynamics, marked by international roots and a blend of cultural influences, reflect the artist’s personal journey as a public figure who has navigated fame, relationships, and parental duties across continents.
Earlier, there was a note about a different public figure, actor Kutsenko, who reportedly sought information about his grandson through his granddaughter. This mention underscores a broader theme of interconnected families and the ways in which generations are linked by shared stories, fame, and the ongoing search for connection across generations and geographies.