Pavel Kuryanov, the CEO of the Black Star label who goes by the stage name Pasha, discussed the naming choice for his daughter in a candid interview. The conversation explored not just preferences but a deeper philosophy about names—the qualities a child’s name might carry and the impression it could leave on the world. The goal, according to his remarks, was to select a name that would sound both graceful and grounded, something that would age well and carry weight across languages and cultures. He and his wife reasoned that a name should feel alive, with resonance beyond mere sound, and they spent time weighing how it would be perceived in different circles—from family gatherings to public appearances. They sought a name that would be memorable yet meaningful, striking a balance between uniqueness and timelessness, and they believed the right choice could shape a child’s sense of identity as she grows.
The couple considered two potential names for their daughter at the outset—Olivia and Camille. They ultimately favored Camille because, when examined closely, it carries a stronger lineage and a certain pedigree. The choice was described as a deliberate one, rooted in the traditional echoes of names that have endured through generations. The producer shared that the stronger transcription of Camilla offers a sense of refinement and history, which aligned with the personal aspirations they held for their child. In the end, the decision reflected a wish for a name that would convey depth, character, and a touch of aristocratic cadence while still feeling contemporary and approachable.
In related family news, the singer known as Hanna welcomed a daughter in a Dubai clinic on February 9, 2023. The arrival added another chapter to a family that already includes a first child, Adriana, born in Miami on September 3, 2018. Observers note that the elder child appears to respond to the new arrival with a calm demeanor, suggesting strong family dynamics and a nurturing environment that supports siblings without rivalry or jealousy. This harmony is often cited in discussions about parenting styles within music-industry households, where public life intersects with private life and the development of children is observed with interest from fans and media alike.
According to Hanna, the cost of the birth was substantial, with about 40 thousand dirhams spent on admission and immediate care. This figure, quoted at the time, did not include expenses for doctor visits, tests, and ancillary services typical of modern maternity care. The discussion around expenses highlights broader conversations about healthcare costs in international settings, the logistics of travel for family well-being, and the decisions that artists and public figures navigate when expanding their families while maintaining professional commitments. The financial aspect underscores the realities many families face when choosing premium medical care and private facilities, where services may be elevated by location, staff expertise, and the scope of prenatal and postnatal support provided to new parents and their newborns.