Macaco, a bold artist who wears his heart on his sleeve, embodies two names that resonate with his persona. Tonight, in Maria Pita Square, the performance offers a chance to revisit his classic pieces while also previewing tracks that will anchor the upcoming project Vuelame el corazón, slated for the fall season.
How does he describe the experience of stepping back on stage?
It’s electric. There was a long pause—two years—before the first return moments. A few acoustic shows helped him gauge the response, and the results felt promising. He wouldn’t mind reshaping some moments, though he admits there was a hint of skepticism at the time. Now the schedule includes multiple festivals and concerts across Spain, followed by a comprehensive tour of the Americas that had been difficult to realize before.
The upcoming album, blown into the heart, what does it aim to reveal?
The record is planned for release in November. Singles will lead the way, collaborating with Leiva as they explore loves that move beyond traditional clichés. The artist hopes to diversify the sound with a cumbia influence, an intimate ballad, and an electronic-flamenco fusion featuring Fuel Fandango. Much of the material was written during the pandemic, addressing personal dynamics and family relationships, and the result is a concept album that travels from affection to separation—these are universal experiences expressed through varied textures.
Does the audience’s expectation of social themes influence the work?
Social topics didn’t disappear. The artist continued composing pieces that reflect current issues and Mediterranean life, ensuring the project remains concept-driven. In the near future, listeners can expect singles with fresh narratives that explore different genres while maintaining the core identity of the artist.
Why release individual songs before the full album?
It’s a strategy many artists once used and still find compelling. Long ago, audiences consumed music single by single before owning the full album, and the practice persists in modern formats. With abundant information and listening options, people can focus on each track’s essence before experiencing the broader work, allowing brushstrokes to emerge gradually rather than all at once.
Songs sometimes debut in concert as living pieces. Do those evolutions surprise him?
Absolutely. For this tour, the concept is to evoke songs and emotions even before the official album release. Some moments are highly danceable, others feel like a journey toward the roots of rumba, creating a dynamic flow as the performance unfolds. It’s a collaborative, high-energy experience with a powerful ensemble backing the artist.
Is this variety a core part of his artistic essence?
Yes. The artist is known for shedding simple labels and offering a spectrum of colors. He has performed at flamenco festivals where he stood out as a non-flamenco performer, delivering a track like Ovejas negras—a bold tribute to difference that captivated the audience. He moves with the rhythm, but also follows the heart, appreciating multiple styles rather than being confined to one lane. The aim is to blend love songs with environmental and social themes, harmonizing diverse influences.
Beyond music, is there another creative project in the works?
Indeed. There is a fairy-tale-like story about a magical reality conceived during the pandemic. The timing of a possible film is uncertain, as touring would need to pause; it could take a few years before it moves into production. Several producers have shown interest, and the artist remains hopeful and excited about the direction this project could take.
This conversation captures an artist who embraces change, collaborates across genres, and persists in sharing intimate and socially aware stories with audiences wherever they gather. The live show promises a blend of familiar tunes and new textures, inviting listeners to experience music as a living, evolving conversation.
[Citation: Artist interviews and performance commentary; thematic summaries derived from public discussions and press materials where relevant. Attribution follows standard journalistic practice.]