Lyudmila Porgina Opens Up About Her Bulgarian Dachas and a Storied Acting Life
Actress Lyudmila Porgina recently discussed the fate of her two dachas in Bulgaria during a broadcast of The Stars Aligned on NTV. The interview shed light on both personal memories and the practical choices that accompanied a long acting career that has spanned decades and continents.
According to Porgina, one of the properties was set aside for her former husband, Nikolai Karachentsov, and the household staff who assisted them. The other house, located nearby, serves as a home base for her son and his three grandchildren. In a candid moment, Porgina described how the family uses the Bulgarian properties to host a variety of cultural events. She noted that neighbors and friends gather for concerts, film screenings, dance performances, and collaborative creative sessions featuring piano, flute, and poetry. The gatherings reflect a strong bond between family, friends, and the arts, echoing the spirit of a life spent in performance and shared experiences.
On the financial front, Porgina explained that she handled property purchases in the local currency and encountered no difficulties exchanging rubles within Bulgarian banks. She also spoke about occasional hostile incidents directed at Russian citizens in Bulgaria. She recounted an episode in which a cafe encounter escalated when a local patron exposed hostility after hearing Russian speech. Police were involved to resolve the dispute, underscoring the complexities some residents face while living abroad or visiting familiar places far from home.
Lyudmila Porgina began her acting journey at the Moscow Art Theatre of the USSR Gorky in 1972. Her career later extended to the Lenkom theatre under the direction of Mark Zakharov. She entered cinema in 1973 with a debut role in Much Ado About Nothing, marking the start of a filmography that would eventually encompass a notable array of projects. Across roughly a dozen screen roles, Porgina contributed to acclaimed titles such as In the First Circle, Juno and Avos, Jester Balakirev, Deja Vu, and Feast in Time of Plague. Her performances are remembered for their emotional depth, versatility, and the ability to inhabit a wide range of characters with clarity and presence. The breadth of her work highlights an enduring connection to both stage and screen, hallmarks of a long and fruitful artistic life. This overview reflects a career that continues to be recognized by audiences and peers alike.
Public curiosity about her life in retirement or ongoing projects is natural, especially as audiences revisit her extensive catalog. The conversation on Bulgarian real estate, family life, and artistic achievements provides a window into how a performer’s personal spaces can also become stages for culture, memory, and community. Porgina’s story offers a reminder that artistry often flourishes where life and art intersect, sometimes in unexpected places far from the traditional centers of fame.
Previously recognizedHow much does Klava Koke’s holiday in the Maldives cost?