May she be called Miss of the Stage or perhaps the title all-round performing arts, Lola prefers to go by Lola herself, and she laughs at anything that sounds funny.
Her answer about street compliments is simple and warm. She is a normal person who understands fame brings people close. In her view, she has always been a neighborly presence, especially since stepping onto television. The public often feels acquainted with a familiar face two days after a TV debut, even if they do not know the name. In live theater, recognition takes years and patient work, not shortcuts.
When asked what Lola Herrera is addicted to, she smiles and says theater and occasionally chocolates. She is deeply devoted to the mechanics of her craft, to the use of imagination, and to guiding a character from start to finish with clear intent. It is a ritual she cherishes, a way she finds meaning in each performance.
Living out life for just sixty years would leave many with a limited map, but she believes continual learning is part of the journey. Learning isn’t solitary work; the moment a performer stands up, new lessons appear. If there is a lull, it is not a sign to stop but a moment to regroup and move forward with purpose.
About insecurity in the industry amid upheaval, she is candid. There are many unemployed colleagues, the profession has grown, and not everyone finds steady footing. The phone can ring at any moment or stay silent for long spells. Yet hope persists in this field and keeps actors moving forward, even when challenges pile up.
Her travel companions, the two remarkable actresses Lola Baldrich and Ana Labordeta, are described as outstanding and steadfast partners. The trio shares harmony and mutual understanding, a bond that extends beyond the stage and into shared perspectives that unite them.
Reflecting on the idea of performance as a game, she notes that technology opens new possibilities. She keeps informed and sees how shows and documentaries about surveillance reveal how powers can influence lives. The art form can illuminate concerns about control and sovereignty, sparking important conversations about the world we inhabit.
When asked whether it is best to fold arms or to resist, she argues for rebellion and proactive effort. Adaptation is not enough; one must fight thoughtfully and decide, after careful analysis, where to direct choices. Not every person is the same, and voting should be conscientious rather than superficial or solely influenced by adulation.
In the Spain of pre-campaign chatter, she sometimes feels worn by repetition and predictability, though curiosity keeps her moving. Reiterating the importance of voting remains part of a larger conversation, and she hopes that people consider it seriously rather than out of habit.
Dependant, she notes, stands against a form of digital dictatorship. Theater, in her view, liberates because it offers a stage where stories unfold and minds are touched. It is a potent instrument that invites people to think and discuss what matters to everyone.
Feminism and relationships also surface in her discussions. Separation can sting because it challenges ideals when different paths pull people apart. Still, she holds to a belief that collaboration and understanding matter, and she resists simplistic splits that weaken common ground.
When asked about aging and continued performance beyond eighty, she is not troubled by the question, yet the reaction behind it surprises her. She feels vital, present with all senses intact, and fortunate to pursue work she loves. Her longevity, she notes, is a gift of good genes and commitment rather than luck alone. She remains focused on connecting with audiences and sharing moments on stage.
Her Palma visit, solo and lasting five hours with Mario—a character she has inhabited for decades—sparks a thought on solitude. It can be enjoyable when chosen rather than imposed. She has learned to cultivate good company with herself, a practice she considers among the most valuable lessons in life. As she nears eighty-eight, she continues walking a road she believes is right for her, embracing the quiet as part of the larger journey.