Leon Kemstach Transitions from Acting to Music Amid Series Spotlight
The star of the series The Boy’s Word. Blood on the Asphalt, Leon Kemstach, has shifted his artistic focus from acting to music. Reports indicate that a 16 year old artist on his Telegram channel announced plans to record a music album, signaling a bold pivot in his career path.
On social media, Kemstach shared a black and white photo from a recording studio. Shortly after, he released a video message in which he revealed that he was recording two tracks daily and shaping an album for release. The message conveyed a raw, personal commitment to the project and suggested a deep emotional involvement with the music he was creating.
In that same communication, the actor asserted that he would be working intensely until September, emphasizing that he had poured his soul into the album and that he hoped listeners would connect with the result. He also noted that he personally liked how the material was turning out so far, underscoring a sense of pride in the creative process.
Earlier in the series, Kemstach performed a rendition of Alexander Serov’s song How to Be as part of an episode. The song’s creation did not end with his performance; soon after, Igor Krutoy, the song’s author and producer, joined Kemstach to record a full cover of the track, collaborating with the actor to enhance the musical interpretation.
Meanwhile, on the stage department of the same project, actor Andrei Maksimov, known for playing the character Sari in The Boy’s Word, appeared publicly to discuss a challenging moment during filming. Maksimov described the difficulty of deciding to shoot a scene inside a coffin, revealing the emotional and logistical hurdles involved in bringing the character to life. The 25-year-old artist spoke about the weight of that decision and the impact it had on the shoot schedule and on-screen portrayal.
Separately, Dmitry Koldun offered remarks about a conversation or scene involving an elephant, referencing a prior moment. This note reflects ongoing conversations and anecdotes connected to the production, illustrating how set experiences can intersect with personal or public storytelling in television productions.