In a recent interview with news.ru, Leon Kemstach, known for his work on the series “The Boy’s Promise,” spoke about his comfort level while filming alongside co-star Ivan Yankovsky. He described their working relationship as smooth and collegial, emphasizing a sense of ease on set.
Kemstach highlighted a close connection within the broader circle, noting that Yankovsky has long been regarded as a friend of his family. He explained that his stepfather, the actor Anton Bogdanov, has collaborated extensively with Yankovsky, which contributed to a warm, familiar atmosphere during their shared shoots. Even though their on-set interactions didn’t begin with a deep personal familiarity, the dynamic quickly evolved into a supportive and collaborative one. Kemstach recalled a moment when he approached the pair in their trailer and asked how they were doing, suggesting, in a friendly spirit, that they rehearse certain scenes to ensure the performance felt cohesive and natural.
According to Kemstach, the dialogue with his senior colleague extended beyond set hours. He mentioned sharing meals, including lunches and dinners, and engaging in conversations about life and the craft. The young actor found value in these exchanges, describing them as influential to his own growth as an artist. He also revealed that his preparation for the role drew on a combination of contemporary and personal sources, including YouTube tutorials and stories from his grandparents, which helped him connect emotionally with the character and the situational context of the series.
In late November, updates circulated confirming Kemstach’s inclusion in the credits of the TV series “The Boy’s Promise.” The soundtrack for the show features contributions from the musical group AIGEL, a credit that appears in the episode end credits. Viewers may notice that while the song Pyala recurs across many episodes, AIGEL is not always listed within the on-screen credits, a nuance that has sparked discussion among fans and industry watchers about how soundtrack credits are assigned in television productions.
Additionally, headlines circulated about a separate incident involving Guf, who reportedly attempted to enter his former spouse’s residence using brass knuckles. This event, unrelated to the series, was covered extensively by entertainment outlets and generated significant public interest, underscoring how personal news about public figures can intersect with their professional profiles in media reporting.