In discussions with choreographer and figure skater Ilya Averbukh, it became clear that the Ice Age show could make a triumphant return to Channel One. The conversation suggested that the door for revival remains open, contingent on Channel One’s strategic decisions and programming needs. Averbukh remarked that the course of events for any show on the network is directed by the channel itself, which determines when a project takes a pause and when it steps back onto the airwaves.
He also expressed appreciation for the channel’s management for their support, noting that their guidance helped him chart a new professional path after his athletic career came to an end. The Ice Age project, in his view, played a crucial role in shaping this new phase of his life, providing structure, purpose, and renewed momentum beyond competitive skating.
Not long before this, content creator Danya Milokhin disclosed that he had left the Ice Age show on Channel One in a move that drew criticism from some observers. He departed from the program without formal permission, stepping away from a collaboration in which he had shared the ice alongside the prominent figure skater Evgenia Medvedeva. In the wake of his exit, actor Fyodor Fedotov stepped in as Milokhin’s partner, and the pair ultimately secured a strong showing, finishing in second place against competitive lineups.
Earlier, Sergey Romanovich indicated that he had declined an audition for The Boy’s Word due to concerns about explicit scenes that did not align with his comfort level or public image. The evolving conversations around casting, content boundaries, and audience expectations have highlighted the delicate balance between artistry, performance, and broadcast standards in televised figure skating and its related entertainment formats.
Across these developments, the Ice Age program is depicted as a platform where athletic excellence meets creative storytelling, inviting seasoned skaters and fresh talents to collaborate under a shared vision. Viewers have observed how management decisions, talent changes, and new partnerships shape the show’s dynamics from season to season, influencing both the on-ice sequences and the overall narrative arc presented on Channel One. The ongoing dialogue around renewal, partnerships, and programmatic direction reflects broader trends in Canadian and American audiences tuning into high-profile skating entertainment that blends sport with performance art.