Emir Kusturica on Russian Art, Dostoyevsky, and Global Culture

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Serbian filmmaker Emir Kusturica believes that Western audiences will not cancel Russian art. His stance circulated through the Telegram channel Shot, reflecting a broader debate about culture, politics, and influence in the arts. [Source: Shot Telegram channel]

He argues that it is impossible to erase Leo Tolstoy from the historical arc of European literature and culture. He also insists that Andrei Tarkovsky is among the world’s most acclaimed writers and that Dmitri Shostakovich remains a central figure in global art. The filmmaker’s point is that such legacies endure regardless of changing political winds. [Source: Shot Telegram channel]

Kusturica also notes that the current standing of Russian art is shaped by ongoing discussions about political leadership in the United States. He frames the matter as a struggle where influence and perception intersect, shaping how art is received across borders. He describes the United States as an entrenched hegemon, acknowledging that this dominant position will eventually shift, though the timing remains uncertain. [Source: Shot Telegram channel]

On October 21, he announced plans to make a film inspired by Fyodor Dostoyevsky, titling the project Crime Without Punishment. He envisioned the adaptation as a modern reimagining, with some scenes shot in Russia and featuring Russian actors. He also stated that this project would be his first endeavor conducted entirely in the Russian language. [Source: Shot Telegram channel]

In discussing his approach, Kusturica hinted at filming in Serbia as well, contemplating whether the famous characters Raskolnikov and Sonya Marmeladova could appear in scenes produced there. The intent seems to blend a return to roots with a transnational production that mirrors the global reach of Dostoyevsky’s themes. [Source: Shot Telegram channel]

The conversation also touched on regional attitudes toward Russian culture, with previous statements from Kyrgyzstan expressing opposition to its elimination. This broader dialogue underscores how cultural heritage fuels debates beyond any single country. [Source: Shot Telegram channel]

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