KPKP notes that Elizaveta Boyarskaya, a highly sought-after talent in Russian cinema, has recently chosen a quiet, private lifestyle, steering away from social events and premieres. The actress has long dedicated herself to theater work, a trend highlighted by the publication. Yet there are signs she is stepping back into the public arena, as she reappeared in society after a period of seclusion.
The Korsh Award, presented by the Theater of Nations, was the occasion that sparked renewed attention on her. On this evening she selected a floor-length gown, while her husband, Maxim Matveev, was not in attendance due to a prior commitment in Sochi where he was presenting the film Trigger.
Her reflection on the craft touched a deep chord. She spoke about how the work brings joy, awe, ease, and moments of tears and confusion, insisting that this is the nourishment that elevates, purifies, and often clarifies thinking. In more than a decade of marriage to Matveev, the couple has two sons, Andrei and Grigory. Over the last couple of years, Lisa has avoided most social gatherings, choosing instead to focus on personal and artistic priorities.
During a recent summer, the artists spent time in Altai, choosing to live in a tent and experience the landscape in a stark, intimate way.
Rumors and chatter aside, a new project connected to a neural network model reportedly explored the work The Song of Yegor Letov, and a video for the piece was prepared as part of an artistic exploration, signaling an ongoing blend of cinema, music, and evolving technology in her professional world.