Elizaveta Boyarskaya revealed that in childhood she imagined following paths far removed from the stage lights. In a sit-down conversation on the YouTube channel Sveta Around the World, she opened up about interests she entertained before acting took hold of her life. The actress spoke candidly about those early days when the idea of life outside the theater felt almost liberating, a world where she might explore different talents and callings rather than stepping into a spotlight that would later define her public identity.
She explained that at times she wondered if the acting world might be worth the effort at all. Fame, which later shaped her career, initially seemed to her more of a complication than a boon. Growing up in a family deeply embedded in the arts, Boyarskaya observed the attention that accompanied her father’s reputation and admitted that it sometimes felt like a drawback rather than a gift. In those reflections, she recalled dreams of alternative careers: perhaps working as a flight attendant, a designer, or a teacher. The variety of these imagined roles underscored a curiosity about human interaction, aesthetics, and the everyday context in which people learn and grow.
Behind the scenes of a theater life, she spent countless hours with relatives and mentors, yet she admits to feeling a certain skepticism about the routines and decisions that surrounded her family’s work. It seemed to her that many of the processes within the theater world carried a sense of meaning that was difficult to grasp, leading to moments of self-doubt about whether the path laid out by her lineage was truly hers. In those years, the sense of personal distance from the craft she later embraced kept her atypically grounded for someone in a family so visibly connected to the performing arts.
Her longing for a cabin crew life sprang from a fascination with the poise and presence she associated with flight attendants. She imagined a world where each journey carried a sense of service and style, where the work demanded a calm confidence and a smile that could carry a whole flight through rough skies. Although drawing never came easily to her, the idea of fashion design persisted as a dream, a creative aspiration that blended texture, color, and form into expressions of taste and identity. These early ambitions, though ultimately superseded by a professional focus on acting, reveal a spectrum of interests that helped shape the thoughtful, multi-faceted artist Boyarskaya would become.
As her career evolved, attention often turned to the personal lives of actors and their collaborators. On the eve of recent projects, Boyarskaya noted how her husband, Maxim Matveev, prepares for film roles with careful, collaborative ritual. The couple’s process, she observed, blends practical rehearsal with a shared understanding of character and pacing, a partnership that strengthens the performances they bring to the screen. She highlighted how his approach to acting informs their family dynamic and adds depth to the roles they portray together, both on screen and off.
One example she cited was the television series Mosgaz, where Matveev explored the psyche of a former maniac named Vikhrov in The Last Case of Cherkasov. Boyarskaya recalled a moment when he phoned her and spoke in a high-pitched voice to illustrate the character’s tendencies, a playful demonstration that underscored the craft and discipline involved in bringing a character to life. Such anecdotes reveal the everyday discipline and shared humor that accompany a longstanding creative partnership, offering fans a rare glimpse into the real-life dynamics that support their performances.
In a broader cultural frame, the conversation also touched on other public figures and moments in popular culture, including a note that Rihanna once performed at an Indian wedding. This aside served to situate Boyarskaya’s experiences within a wider tapestry of celebrity and global pop culture, reminding audiences that talent travels across continents and contexts, leaving behind traces of inspiration and memory for future generations of artists.