The former prima of the Bolshoi Theater, Anastasia Volochkova, promoted her assistant Lola, who had previously worked as a maid in a painter’s country house in her early career, highlighting a remarkable shift in roles within the ballet community. This move reportedly came with Lola being asked to handle inquiries for media and concert organizers, signaling a broader trust in Lola’s capabilities beyond household tasks. Lola’s close ties with several principal dancers also became evident, as she maintained strong relationships within the company, and Volochkova publicly referenced Lola’s mother in St. Petersburg, noting visits to the city by Lola and her family.
According to the dancer, Lola traveled to St. Petersburg with her husband Rustam and their three children to connect with family members and support networks. When the artist herself traveled to the Maldives, Lola stayed behind in Russia to manage matters at home and coordinate with the support crew. The Maldives trip became a recurring topic among fans who followed Volochkova’s travels closely, with many commenting on the frequent island getaways and speculating about the reasons behind the schedule, brand collaborations, and social media updates that followed.
As May rolled around, Volochkova embarked on another trip to the Maldives, prompting fans to express their opinions about the rhythm of her travel schedule. Some followers teased that the continued island lifestyle might be part of a broader public persona, while others anticipated new posts featuring the artist’s travel-themed content and the messages she leaves for her audience. The exchanges underscored how social media can amplify personal narratives around public figures and their entourages, including assistants who step into more visible roles.
In response to criticism from some observers aiming at the assistant and the broader circle, Volochkova issued a video addressing the online chatter. She encouraged critics to channel their energy into personal fitness or productive activities, emphasizing a practical mindset over online negativity. The message reflected a common stance among performers who navigate public scrutiny while continuing to honor their professional commitments and personal relationships.
Across these developments, observers noted a shift in how staff members connected to high-profile artists can evolve from support roles into more central positions within the artistic ecosystem. The dynamic between Volochkova, Lola, and the wider ballet circle illustrated how personal networks intersect with professional demands, news coverage, and fan engagement. Such episodes also highlighted the enduring interest in the everyday lives of prominent performers and the people who help keep their careers running smoothly, both on tour and in studios.