He produces works such as Stories From A Rock’N’Roll Heart, an album where music sings about its sharpest encounters with life and events, Lucinda Williams’ motivating sources and the mystery surrounding songwriting. Life-giving work wrapped in a halo of triumph, given the delicate clinical path that preceded it.
We’re talking about the hurricane that devastated his home, covid-19, and worst of all, the paralysis he suffered in November 2020, causing motor limitations on his left side, which he was slowly trying to overcome. Nothing could stop him: He was already performing again a few weeks after suffering a stroke, and could be seen and admired at the Azkena Rock Festival a few days ago.
Lucinda Williams, injured but undefeated, can’t play the guitar (for now), but as a survivor, she flaunts truth with her voice, character, and a writer in the beautiful and compelling stories she tells us. Beginning with the Stones or The Faces-style classic rock, which opened the album Let’s Get The Band Back Together, in which he sighed for old gang spirit in the company of colleagues like Margo Price. Dude Miller. There’s so much to this tribute record to the music that caught him at age 12, and it’s hard to stay indifferent to songs like Rock’N’Roll Heart, alluding to a “working-class kid in a defeated city.” She was able to give meaning to her life thanks to a guitar. And if you have “a rock’n’roll heart” then when you say “you don’t need to be so cunning/you don’t need to be a work of art anymore” because it can be inside you to convey emotion. anyone’s access. The voices of Bruce Springsteen and Patti Scialfa wrap it up there, as does another standout issue, the New York Comeback.
poetic characters
Williams longingly sings the (alien) tunes of his life in Jukebox (with the sweet echo of Angel Olsen on background vocals) and turns it into a poetic character in Song Where the Song Will Find Me. Summon two of your lost friends, Tom Petty in Stolen Moments and Bob Stinson (from The replaces) in Hum’s Liquor. Searching for the melee of rock, resting mid-tempoes, occasionally paying attention to the acoustic fiber and the touch of pedal steel, and all this with knowledgeable accompaniments: heart-wrenching drummer Steve Ferrone; keyboardist Reese Wynans (who was a member of Stevie Ray Vaughan’s Double Trouble) or the late Steve Mackey, bassist of Pulp (and Dolly Parton).
And in a climax, Never Gonna Fade Away, where he comes face-to-face with depression and paraphrases Neil Young: “I’ll Never Fade” repeats to us, merging with his craft and the song itself, and shifting us. a life lesson.
Source: Informacion
Brandon Hall is an author at “Social Bites”. He is a cultural aficionado who writes about the latest news and developments in the world of art, literature, music, and more. With a passion for the arts and a deep understanding of cultural trends, Brandon provides engaging and thought-provoking articles that keep his readers informed and up-to-date on the latest happenings in the cultural world.