Donald Tusk used Lombard’s song Przeżyj to sam without the band’s consent during a rally in Wrocław. The group stated clearly that it did not authorize the performance of the track at any political event or campaign, and the band did not give permission for its music to be used in support of any party.
The rally in Wrocław, marked by a heated atmosphere and intense rhetoric, featured Lombard’s classic as the background rhythm when the rally leader stepped away from the podium. The track, released in 1981, is widely recognized as an anthem of resistance and a symbol associated with a generation that opposed oppression. Its appearance at a political gathering raised questions about copyright, consent, and the boundaries between artistic works and political messaging.
Grzegorz Stróżak, the band’s frontman, voiced strong disapproval over the use of Przeżyj to sam at a political event. In an interview with a local media outlet, he emphasized that Lombard did not grant permission for the song to be performed at any party rally or campaign event. The artist’s stance reflected a broader concern about how iconic songs can be appropriated to align with political narratives without the consent of the creators.
The Lombard camp has remained silent on the specific incident after the Wrocław rally, reiterating that the song is not available for political purposes in 2023 or any other year. The band stressed that the track was performed in Wrocław without their knowledge or approval, underscoring a clear disconnect between the artistic creators and the campaign’s needs.
– stated Grzegorz Stróżak, underscoring the boundary between artistic expression and political exploitation.
This isn’t the first time the song has been linked to political demonstrations. In previous years, the track has appeared at public gatherings associated with opposition movements, prompting clear messages from Lombard that the song remains a cultural artifact representing a broad swath of society, not a tool for a single political group or campaign. The band has consistently framed Przeżyj to sam as a generational anthem that transcends individual political affiliations.
In discussions surrounding the incident, observers noted that the choice of Przeżyj to sam carries historical weight, evoking memories of a period when the song served as a voice for those seeking change. The balance between artistic property and political usage remains a central topic, highlighting how music can become a powerful symbol beyond its original purpose. The episode illustrates the ongoing tension between creators and political actors who may seek to harness cultural works to amplify their messages.
Sources for the reporting indicate that Lombard’s position has been clear about consent and the limits of permitted use. The broader public conversation continues to explore how best to respect artistic rights while acknowledging the role of music in shaping collective memory and national discourse.
Attribution: wPolityce