The ongoing buzz surrounding the song called Zorra has television buzzing about feminism and counter-feminism, with experts weighing in on its potential to influence Eurovision. The public discourse suggests that joining a broad debate can act as a powerful marketing, messaging, and mobilization tool. Meanwhile, there are other voices on TVE that add to the conversation.
In the serialized drama Zorro, aired in installments on TVE’s La 1 and now accessible in full on Prime Video, a character named Zorra makes a striking entrance. This young Indigenous woman is depicted as strong and uncompromising, his sister Fox having been lost earlier in the story. The portrayal is brought to life by Mexican actress Dalia Xiuhcoatl, who demonstrates notable prowess with an ax, more so than with a blade. The tribe’s elders, however, seem to prefer a traditional male Zorro, particularly siding with the Spanish actor Miguel Bernardeau. The underlying message reflects a tension between evolving identities and cherished legends, with a wink to the cultural expectations that can feel both humorous and pointed at the same time.
The series maintains a surreal, light tone that often borders on the absurd while staying entertaining without ever aiming to be merely funny. Its appeal lies in a kitschy reimagining of the classic Zorro, inviting audiences to enjoy a playful reinterpretation. The cast includes Paco Tous, who plays a character named Bernard that communicates through silence, a choice likely intended by writers to emphasize the quirky incongruities of the plot. The production, led by Secuoya, was filmed at the chiquipark in Sioux City, a setting designed for families and visitors in San Bartolomé de Tirajana. It’s a reminder that filming in the Canary Islands can be more cost-effective than traveling to California. Given the results, there is a sense that a different casting choice might have altered the trajectory of the show, suggesting that a version centered on Zorra rather than the male protagonist could have resonated even more with audiences during Eurovision-style campaigns.
Meanwhile, NBC has begun ramping up a television project titled Lady Zorro, which is expected to cast a leading actress, with Sofia Vergara among the discussed possibilities. The focus remains on highlighting the female lead, a shift away from traditional masculine-centric storytelling. Some commentators have proposed alternatives like Lady Vixen to better align with current trends. The creative team behind this move has demonstrated an ability to leverage contemporary dynamics in the market, crafting a hook that signals a departure from older norms. The musical score in this effort carries a lively, up-tempo feel reminiscent of classic party tunes, while the lyrics deliver a strong, memorable message. One notable moment features a character vocalizing a transformation, from fox to jackal, a line that sticks with listeners and invites them to anticipate a distinctly Eurovision-like atmosphere in Malmö, sparking anticipation and conversation among fans and critics alike.