film director Woody Allen discusses future projects and a shift toward prose
In a recent interview, the renowned writer and filmmaker Woody Allen revealed that his next project would mark his fiftieth film, though he suggested it could be his last in terms of feature-length productions. Instead of continuing to shoot new movies with the same cadence, he hinted at a possible pivot toward writing longer works, including a first foray into novel writing. The statement came as he spoke about his creative trajectory and the questions surrounding how long he will remain active behind the camera.
During the conversation, Allen spoke with a publication that plans to publish an upcoming edition of his comic series Gravedad cero, published by Alianza, with coverage slated for release on September 27. He explained that while his primary aim is to keep crafting films, he is increasingly drawn to the world of storytelling in prose. He indicated that writing stories could become a central focus, and although he has not laid out plans for further memoirs, the door remains open for other forms of expression. He added that this shift would be guided by where his creative impulses take him, rather than by a strict timetable or genre expectations.
When asked about possible humor in future prose, Allen noted that humor often emerges naturally for him as a creator. He suggested it is not something he forces; rather, it arises when a concept calls for it. If a genuinely serious idea were to crystallize, he would not hesitate to pursue it in the manner he has handled more serious films in the past. The core instinct remains the same: to explore ideas with a mix of wit and gravity, depending on what the story requires.
Regarding his most recent project set in Paris, he described it as having a mood similar to his earlier work, a blend of excitement, drama, and an ominous undertone. The alignment with titles such as Match Point suggests a narrative that balances stylish tension with unpredictable twists, all while maintaining a cinematic tempo that keeps audiences engaged. The filmmaker emphasized that Paris continues to serve as a fertile backdrop for characters facing moral ambiguity and high-stakes situations, where every choice can alter the course of the tale.
Ultimately, the conversation placed emphasis on a broader question that often accompanies long careers: how does a creator adapt when the modalities of storytelling evolve? Allen’s remarks point toward a future where film projects may become less frequent, but the storytelling output could broaden to other formats. The artist underscored that the decision would be driven by personal inspiration and the evolving landscape of publishing and cinema, rather than by external expectations. [La Vanguardia, upcoming edition] His thoughts reflect a willingness to explore new avenues while preserving the distinctive voice that has marked his work for decades.
In sum, the dialogue offers a snapshot of a seasoned creator at a crossroads, weighing the pleasures of making movies against the allure of writing novels and weaving narratives in prose. The coming years may reveal a more varied body of work, with different forms of storytelling coexisting and feeding into one another as ideas are tested and refined. Fans and critics alike will watch closely to see how this creative evolution unfolds and which projects ultimately come to fruition. [La Vanguardia]