During its second week on TVE, The Revolt confirmed a solid reception in the network’s prime time lineup. In a prime time broadcast, the program drew 19.5 percent of the audience and attracted 2,591,000 viewers, a performance that signals serious audience engagement for a format that blends late night humor with contemporary social conversation. On another night, La 1’s talk show rose to be the most watched program of the day, edging out El Hormiguero by two and a half points. These numbers matter — they show not just a momentary spike but a growing rhythm in viewer interest. They also illustrate TVE’s renewed willingness to lean into bold, conversation driven entertainment in a market crowded with international formats. For audiences in Canada and the United States who follow global TV trends, these achievements resonate as a sign that local talk formats can travel well when they pair a sharp host with relevant topics and a lively live audience. The momentum in Spain may foreshadow similar interest in regions where streaming platforms make international talk shows easier to access, highlighting the potential for content that speaks to universal experiences while keeping a distinctly local voice.
Agustí Esteve, director of El Terrat, the company that co produces The Revolt, looked at those first days on TVE in a frank way. In an interview he gave to El Món a RAC1, he said Broncano’s move to TVE had taken everyone by surprise. “It surprised us all”, he asserted, recounting how quickly the channel was changing course and how the entire production team had to adjust to new rhythms. He pointed out that there is anxiety inside the industry about the speed of the network’s evolution but balanced that with admiration for the network’s risk taking. Esteve added that TVE is making a very bold bet and that the team congratulates them for trusting the programme. The statements reflect a view from the production side that TVE’s decision is a strategic gamble with the potential to reshape the network’s public image, especially if the show can sustain its initial momentum. The perspective also underscores how collaboration between a public broadcaster and a private production house can produce formats that challenge expectations and widen the range of voices seen on national television.
From the vantage point of the show’s operation and reception, Esteve highlighted a sense of energy that seems to translate into stronger viewer connection. On radio, he elaborated that there is a momentum around The Revolt that resonates beyond the studio. “There’s a good atmosphere and that helps.” Those words point to more than a simple crowd response; they describe a mode of conversation that invites spontaneity, quick wits, and candid dialogue. When asked about media personalities associated with the program, Esteve was direct about Pablo Motos. “Some sectors of the population do not like the figure of Pablo Motos and perhaps they have now found an alternative”, he concluded. The remarks hint at how The Revolt positions itself as a distinct option for viewers seeking a different tone in late night talk, while demonstrating that audience response can shift quickly as new voices enter the field. The Revolt thus stands as a case study in how a new talk format can carve out a space in a crowded schedule, inviting critics and fans alike to reassess what a late night program can look like when it blends charm, satire, and timely commentary.
Esteve emphasized the on set mood as a key factor in early success. “There’s a good atmosphere and that helps.” He added that the program has sparked conversation among viewers and critics alike. When asked about Pablo Motos, the executive gave a candid assessment: “Some sectors of the population do not like the figure of Pablo Motos and perhaps they have now found an alternative”, he concluded. The remarks underline how The Revolt is positioned as a distinct option for viewers seeking a different late night approach, while demonstrating that audience response can shift quickly as new voices enter the field. The Revolt thus stands as a blueprint for how a fresh talk format can challenge established norms and attract audiences who crave a more dynamic, less conventional late night experience.