In its weekend premiere, Better Saturday offered four hours of live evening entertainment, and the takeaway was that the program’s content and impact fell short of expectations. The lineup included Boris Izaguirre and Adela González, yet the show lacked substantive material and a clear point of view, leaving viewers disappointed.
Time seemed to pass with a hollow rhythm, characterized by banality and superficial treatment of topics. While the desire for thoughtful discussions or meaningful encounters remains, the decision to abandon many technical tools and a broader team of editors and collaborators in favor of a concise, limited format feels like a misstep. The potential richness of live television, when harnessed with robust resources, is not fully realized in this iteration. The sense is that the production chose a narrow path when there was room for broader exploration.
There is virtually no subject that cannot be explored in broadcasting, especially since live events constantly press the signal with the sense of immediacy. The critic believes there was room to extract more value through humor, sharp critique, anecdotes, wisdom, and originality. Instead, the approach resembled a retreat through pages of a script, delivered with a reluctance that invites audiences to tune out during every commercial break. A persistent imbalance was evident, as the afternoon edition of the Aruser@s format, previously effective in the morning, failed to translate its strengths to the later timeslot. This misalignment is noted as a missed opportunity rather than a minor glitch, with the program not fully leveraging the dynamic nature of live broadcasting.
The perception extended to the late-afternoon slot for The Rock, which also struggled, despite renewal for a third year. The suspicion is that Better Saturday may face sustainability challenges. The notion that creating live television with complete freedom constitutes a fatal risk is challenged by the idea that injecting enthusiasm, appetite, and energy into the on-air performance could transform the experience for four hours. When the production exudes routine over substance, it undermines the very essence of live television and diminishes audience engagement. Source: TV critique