Telecinco decided to adjust course after a disappointing summer moment this year as it rolled out a major change to a show that had entered its third week with a delicate balance between audience expectations and network schedules. The program was originally slated for a prime time broadcast, yet the network is switching its air time to an earlier phase of the evening, reshaping the nightly rhythm for viewers who follow the series closely. The decision comes after the latest episode recorded a modest share and a viewer count that trailed behind earlier forecasts, prompting executives to rethink the pacing and slot allocation. In the months since the debut, the program has been a barometer for several practical challenges that often influence entertainment programming decisions, including audience engagement patterns, competition from other networks, and the evolving habits of late-night viewers. Source notes point to a need for renewed momentum as the show seeks to recapture interest and re-engage casual viewers who may have drifted to other offerings.
The channel confirmed the adjustment over the weekend, as ratings dipped to around six percent of the audience and viewership dipped below six hundred thousand for the latest Tuesday installment, a figure that underscores the widening gap between expectations and performance during the third week on air. Since its debut, the program has consistently faced headwinds that have limited its potential to sustain elevated viewership over consecutive weeks. The pattern has been a reminder that in a crowded landscape, even strong concepts need continuous refinement and strategic exposure to keep audiences coming back. Industry observers note that the shifts could be part of a broader strategy to stabilize audience flow and maximize the overall slot value for the network.
As a result, starting next week the show will no longer begin at 22:00 and will instead move into the midnight slot, with a restructured flow designed to accommodate a change in pacing. The format of the program that has been hosted by Christian Galvez and Carolina Cerezuela, particularly in the post-prime window, will be reformatted to suit the later time. The late night approach is expected to allow stronger lead-ins from the network’s movie block, which will fill the void during the newly opened hours. This reorganization places a greater emphasis on the midnight audience, a demographic that often demonstrates different viewing habits and preferences than the earlier evening crowd. The network is also exploring an alternative attraction for the time slot, intended to complement the primary program and offer viewers a cohesive nighttime viewing option.