BUSY TIME
Telecinco continues to pull strong numbers as All Stars stirs interest. The latest episode of Survivors All Stars: No Man’s Land drew a robust audience, with 1,247,000 viewers and an 18.4% share. In contrast, Grand Prize saw a smaller audience and a lower share, underscoring a shift in viewer preference during prime time, with 1,159,000 watching and a 12.2% share. Telecinco’s momentum demonstrates the network’s ability to sustain engagement across its survivor-themed programming, even as rival offerings compete for late-night attention. These figures reflect a TV landscape where competition among reality formats remains fierce, and audience enthusiasm can change quickly in response to fresh twists and casts, as reported by broadcast analytics sources.
Antena 3 maintains its role as a solid third-place option for viewers, highlighted by Hermanos, which delivered double-digit viewership with a 10.7% share and 884,000 viewers in prime time. The year’s audience trends show Turkish literature holding steady in double digits, signaling sustained interest in culturally rich programming even as contemporary formats vie for time slots.
LATE NIGHT
Telecinco
All Stars remains a draw: 1,231,000 viewers, representing an 11.8% share as audiences continue to follow the franchise evolution and casting choices that keep fans talking.
Survivors All Stars: No Man’s Land achieved 1,247,000 viewers with an 18.4% share, underscoring the strong continuation of the franchise’s appeal late into the evening. Observers note that the franchise structure and narrative arcs contribute to sustained engagement across additional broadcast windows, a pattern documented in ongoing audience measurement reports.
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Grand Prize attracted 1,159,000 viewers and a 12.2% share, reflecting steady competition among flagship reality formats. Analysts attribute the divergence in performance to variations in episode pacing and the draw of returning hosts and familiar contestants.
Antenna 3
Anthills drew 932,000 viewers for an 8.9% share, while Siblings reached 884,000 viewers with a 10.7% share in prime time. The data illustrate how audience concentration shifts among parallel offerings as viewers experiment with different narratives and cast dynamics.
sixth
Intermediate delivered 524,000 viewers at 5.2% share, followed by Blockbuster Immunity at 417,000 viewers and a 4.8% share. These episodes indicate a steady appetite for game-centric formats that couple competition with social dynamics, a staple of daily programming blocks.
Four
First Dates attracted 728,000 viewers (7%), while Last Light drew 264,000 (2.7%). These numbers reflect the enduring appeal of relationship-based reality segments alongside more intense competition formats within the same network lineup.
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Numbers and Letters captured 265,000 viewers (2.9%), and Classic Movie Days presented Top Secret with 397,000 viewers (3.8%). Special thematic evenings, including Summer Grandmother content, reached 216,000 viewers (2.7%), highlighting a mix of nostalgia and contemporary entertainment.
LATE NIGHT
Telecinco
Casino Gran Madrid online show drew 183,000 viewers (8.5%), illustrating the continued cross-channel experimentation with online-led formats during late-night hours.
Antenna 3
Siblings delivered 205,000 viewers (6.2%), while Here I Go Again brought in 274,000 (5.5%), indicating a diverse late-night schedule that blends family-oriented storytelling with light entertainment.
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Cinema Demolition in Los Angeles attracted 163,000 (4.3%), followed by Pokestars Casino Live at 50,000 (2.5%). The late-night cinema and interactive gaming blocks continue to attract niche audiences seeking leisure-focused content after prime time.
Four
Last Light reached 157,000 (2.3%), while Cinema Four’s Red Alert claimed 88,000 (2.6%). Additional features included Metropolis at 49,000 (1.0%) and Radio 3 Concert Tomaccos at 21,000 (0.6%), mirroring the broad spectrum of late-night offerings.
The Secret History of Mummies: Golden Mummy drew 30,000 (1.4%), rounding out a diverse late-night slate that blends drama, documentary, and original programming.
LATE
Antenna 3
Dreams of Freedom led with 1,262,000 viewers (13.7%), followed by Original Sin at 1,012,000 (12.1%), and Write AGE with 843,000 (12.3%). Passapalabra drew 1,141,000 (15.8%), underscoring Antena 3’s strength in versatile, audience-friendly formats during late evening hours.
Telecinco
This Is Life reached 737,000 (8.1%), with Afternoon AR at 706,000 (9.7%) and Chain Reaction at 873,000 (12.2%). The lineup demonstrates Telecinco’s ability to maintain broad appeal through a mix of human-interest, game-based, and lifestyle programming late at night.
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Modern reached 696,000 (8%), Phrase 880,000 (11.5%), and Hunter 500,000 (7.4%). Here Is the World posted 579,000 (7.9%), while Zapping drew 546,000 (6.1%). Late-night strategies continue to balance high-energy talk shows with lighter, entertaining segments to sustain viewership.
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Better Late attracted 457,000 (6.4%), Everything is a Lie 450,000 (5.2%), and From Time to Time 232,000 (3.5%). The evening ends with a final cluster of programming that keeps audiences engaged until the late hours.
Blue Summer: Bottles delivered 309,000 (3.3%), Guess and Win 607,000 (6.5%), and Great Documentaries 365,000 (4.3%). Documenta2 posted 207,000 (2.9%), while Women’s Paradise and Diary of a Nomad recorded 103,000 (1.6%) and 122,000 (1.7%), respectively, rounding out the late-night landscape.
TOMORROW
Antenna 3
Summer Overall Mirror logged 292,000 (12.6%), Open Kitchen with Karlos Arguiñano hit 792,000 (17%), and Lucky Wheel climbed to 1,513,000 (21.2%), indicating a strong competitive push for daytime programs the following day.
Telecinco
Critical View recorded 193,000 (11%), Let’s See reached 364,000 (13.7%), and Let’s See More posted 666,000 (10.3%). The morning and daytime blocks emphasize a steady cadence of talk, cooking, and light entertainment that connects with a broad audience.
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Fresh Wakeups drew 178,000 (9.5%), Red Hot 389,000 (10.4%), and Time 1 244,000 (13.8%). Morning workers pulled 247,000 (8.3%), while Now or Never reached 552,000 (7.2%), illustrating continued engagement in early-morning and mid-morning slots.
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Stray Travelers: Sicily 62,000 (4.3%), Stragglers: Sardinia 74,000 (4.2%), and Traveler Four: Côte d’Azur 95,000 (4.4%) highlight travel-themed segments that captivate audiences seeking escapism across regions.
On Everyone’s Lips 178,000 (5.4%), Page 2: Ida Vitale 13,000 (1.3%), Night Hunters of Africa 24,000 (1.7%), and Green Beetle 13,000 (0.8%) reflect a mix of culture, adventure, and curiosity-driven programming shaping tomorrow’s prime-time slate.
Life Safety 26,000 (0.8%), Heritage Guardians 58,000 (2.8%), Archaeomania 60,000 (2.7%), and Documenta2 43,000 (1.9%) contribute to a balanced day-ahead forecast that favors educational and engaging content.
Countries to Study 28,000 (1.1%), D’Ambrosio Routes 91,000 (2.7%), and Cinema Mornings: Johnny the Avenger 171,000 (2.6%) round out morning-to-afternoon projections with a shared emphasis on discovery and entertainment.
INFORMATIVE
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Morning News 180,000 (18.4%), News Broadcast 1: 1,072,000 (11.5%), and News Broadcast 2: 788,000 (9.2%) illustrate the continuing importance of reliable daytime information alongside entertainment.
Antena 3: Morning News 107,000 (12.5%), Antena 3 News 1 at 1,910,000 (20.8%), and Antena 3 News 2 at 1,392,000 (16.7%) reflect strong audience loyalty to national updates during morning windows.
Telecinco: Morning News 135,000 (10.7%), News 15:00 at 916,000 (9.9%), and News 21:00 at 903,000 (10.7%) demonstrate a healthy news presence across daytime and primetime.
laSexta: News 14:00 at 722,000 (8.3%), News 20:00 at 478,000 (6.9%) show a steady stream of updates that complement entertainment blocks.
Four: News Four 1 at 420,000 (5.9%), News Four 2 at 320,000 (4.6%) contribute to a broad information ecosystem for viewers.
Daily: Antena 3 (12.8%), Telecinco (11.6%), La 1 (9.4%), laSexta (6.1%), Cuatro (4.5%), La 2 (3%) illustrate a cross-channel snapshot of news consumption across the day.
Monthly: La 1 (14.9%), Antena 3 (11.7%), Telecinco (9.9%), laSexta (5.6%), Cuatro (4.8%), La 2 (2.7%).