Telecinco has kicked off its new television season with a bold, controversial move. The headline event is the premiere of a new fiction project titled Scandal, a story of obsession, which has become the network’s marquee series for the early part of the year. The official trailer, released by Mediaset, highlights the charged and complicated relationship between a 42-year-old woman and a 15-year-old boy, drawing hundreds of thousands of views and sparking a lively debate across social media channels. This immediate buzz underscored the show’s potential to generate across-the-board attention when it drops.
The series is drawing mixed reactions, with some viewers criticizing its depiction as sensational or provocative, arguing that it could romanticize or normalize harmful behaviors. Others urge patience, pointing out that the storyline may echo familiar tropes seen in other contemporary dramas, including American titles like Teacher, featuring Kate Mara and Nick Robinson and streaming on Disney+. These conversations reflect audience curiosity about how the narrative will navigate sensitive subjects and what stance it will take on power dynamics, consent, and accountability.
Despite the ongoing debate, Telecinco pressed ahead with the release schedule and has scheduled Scandal, a story of obsession for a prime-time slot. The series, led by Alexandra Jimenez and Fernando Lindez, is set to air in late evening hours on a Wednesday, with the first episode debuting at 11:50 p.m. on January 11. This choice signals the network’s confidence that the program will capture viewer interest during a period when audiences are actively seeking provocative and conversation-sparking drama.
As the conversation continues on social networks, some creators connected to the project have offered clarifications. They emphasize that the show is not designed to normalize illegal or criminal behavior. One of the screenwriters, Santiago Diaz, addressed the concerns directly, noting that he contributed two episodes and insists the work is careful in its portrayal, arguing that the title and premise should not be read as endorsement of harmful actions. The intention, according to the creators, is to explore the psychology and consequences surrounding obsession and scandal, rather than to present a romance or endorsement of abuse. This clarifying statement appears amid broader discussions about responsibility in depicting sensitive topics within television fiction.
There is little doubt that Scandal, a story of obsession will dominate early-year conversations and could even serve as a ratings lifeline for Telecinco in the weeks ahead. The production company behind the series is Alea Media, which has pledged to bring a bold and thoughtful approach to the material. Industry observers anticipate strong competition from other networks in the same window, with a potential theatrical premiere on channels like Antena 3 and La 1 being discussed in the press and among viewers. As with many high-profile releases, the series is entering a crowded landscape of streaming-ready dramas, and its reception will likely hinge on how effectively it balances edgy storytelling with social responsibility and sensitivity toward the subjects it portrays. This ongoing discourse illustrates the broader dialogue around modern television, where audience expectations demand both entertainment value and mindful handling of difficult themes.