The relationship between the dew of flowers and Ana Rosa’s schedule marks a clear end. Sources confirmed by Yotele indicate that Telecinco’s morning show has decided to stop the weekly collaborations with Rocío Carrasco’s daughter. The trigger behind this break appears to be the portrait of the young woman for the upcoming television season and the contractual considerations surrounding it.
The former Survivor contestant began her stint at the magazine’s social club in April 2021, aligning with the premiere of the documentary series Rocío tells the truth for survival. Just over a year later, high financial expectations from Flores led the production company to choose not to renew the contract, signaling a shift in the participant’s media presence.
The professional move was driven by a desire for a wage increase, a point she consistently raised, while the program that had offered her a prominent platform was not prepared to accommodate those demands. As a result, she would lose a major income stream and the significant public exposure that her appearances on Telecinco had provided for her online activities.
On the reasons for not renewing Rocío Flores’ involvement with El programa de Ana Rosa, Yotele has reached out to multiple sources who neither confirm nor deny the information reported by Unicorn Content, the agency that represents Flores. The situation is described as delicate by those close to the project, who emphasize that the format depends on open conversations about personal matters for its audience and entertainment value.
Industry insiders also note that Flores’ role was not previously in jeopardy because of ongoing complaints; rather, the current tense atmosphere stems from the surrounding negotiations. Conversations about her future on the show reportedly intensified when expectations did not align with the direction of the program and its production team. Observers suggest this is a turning point that reflects broader shifts in how personal narratives are balanced with editorial goals in daytime television, especially for figures who straddle entertainment and social media influence as Flores does. The broader context includes ongoing debates about compensation, visibility, and the evolving dynamics of celebrity within Spanish media, where new seasons bring new contracts, new faces, and renewed strategies for audience engagement. Attribution: Yotele, Unicorn Content, and industry observers provide the framework for understanding these developments and their potential implications for the star’s public profile and media trajectory.