She is stepping closer to turning her dream into reality: representing Spain at the Eurovision Song Contest. A Canarian-born artist, she landed second place in The Incredible Duo with Ana Belén and earned a spot among the 18 artists chosen for Benidorm Fest 2023 with the track I Want to Burn, a fiery single created in collaboration with Black Panda.
Quiero arder is described as a high-temperature piece that sits atop a violin-driven arrangement, supported by a chorus of unpredictable, multi-sensory electronics. The singer will defend this song at the TVE competition with a stage concept crafted by set designer David Pizarro, renowned for his work on the video for Aitana’s En el coche. YOTELE spoke with Agoney about his Benidorm Fest 2023 candidacy with Quiero arder and other topics.
The question, How do you feel after I want to burn is released, triggers a candid reply. The artist expresses happiness at presenting a festival entry that feels authentic and unique to her. She notes the personal nature of the song, a piece she wrote and wanted to bring to life. She recalls Eurovision 2018 and a different path that didn’t quite align with the reception she hoped for, highlighting how perspectives can shift over time [YOTELE].
You should also feel comfortable with what you represent as an artist, the interview continues, emphasizing the importance of staying true to oneself. The response centers on the desire to avoid projecting an image that feels contrived and celebrates the current sense of confidence and clarity.
Regarding influence, the artist reflects on Monica Naranjo as a figure with a powerful legacy in this country and notes comparisons to other celebrated voices. She challenges media professionals to broaden the frame, suggesting that many performers in Spain share common sonic threads while she brings a distinct sensibility that sets her apart [YOTELE].
Some listeners have drawn parallels between I Want to Burn and the Ukrainian entry Siren Song from 2019. The artist notes that others have mentioned it, but she is not sure who is being referenced, choosing to focus on her own interpretation and expression.
The notion of changing records with I Want to Burn is explored through a lighthearted anecdote. The singer shares a personal moment with her grandmother during a rehearsal, describing how she unveiled the chorus to her family and realized the effect of the arrangement was more intimate than expected.
During a press conference for The Incredible Duo, the team discussed the possibility of performing at Benidorm Fest. The final decision hinged on a sense of authenticity and a belief that the chosen piece would resonate across radio stations nationwide and beyond, even though other options might have carried broader media hype. The artist explains that she chose the path that felt true to her, hoping to connect with audiences 40 years from now rather than chase a short-term buzz [YOTELE].
Questions about stage direction naturally arise, including concerns about sensuality. The artist clarifies that the song’s lyrics do not revolve around sex, acknowledging a subtle erotic undertone without relying on explicit content. The staging plan, she confirms, has already been conceived and will be brought to life on stage.
Sharing the bill with Alfred García at Benidorm Fest 2023 is described as a meaningful experience, especially after their connection during The Incredible Duo. The first press conference revealed a sense of mutual compatibility and curiosity about how their paths will intersect in this competition. The collaboration is framed as a reminder of the evolving nature of careers and the value of genuine artistic chemistry between performers [YOTELE].
When asked about the other contestants, the artist mentions songs she would have liked to share the stage with, including works by Alice Wonder, underscoring a dynamic lineup and a willingness to explore diverse approaches within the festival’s framework.
Is it truly a dream to perform at Benidorm Fest given a long-standing, sometimes contentious relationship with Eurovision? The artist answers affirmatively, explaining how the current moment feels right and how personal history informs her renewed enthusiasm. She recalls a difficult period in 2018 when the festival was not a priority and explains that now she approaches Eurovision with a different heart and a clearer purpose. The message she carries is a declaration to bring energy and passion to Liverpool and beyond, emphasizing personal growth and artistic honesty [YOTELE].
On handling hostile or negative reactions, she notes that while she tries to shield herself with resilience, the reality is more nuanced. Negative messages can sting, especially when they touch on sensitive personal aspects. The artist acknowledges the impact such comments can have on fans and younger listeners, highlighting the broader responsibility that comes with public visibility [YOTELE].
Beyond Benidorm Fest, she reflects on her recent peak moments, including the invitation from Ana Belén to participate in The Incredible Duo. The collaboration is described as a precious gift, with Belén’s warmth and generosity shaping a memorable creative partnership. The artist highlights Belén’s mentorship and the sense that their synergy comes naturally, reinforcing the idea that music thrives on mutual support and shared values.
In closing, she notes that the dynamic between them feels almost predestined, with a shared temperament and a shared dedication to vocal care. The connection between the two artists is rooted in long days of practice, a focus on voice discipline, and a deep appreciation for the craft that brought them together. The interview ends on a hopeful note about revisiting those collaborative energies in the future, suggesting that the bond formed through music can endure beyond any single show or festival. The sense conveyed is one of gratitude, resilience, and an enduring commitment to artistic truth [YOTELE].