Patricia Pardo offered strong remarks about Aitana this Tuesday. After the premiere of Alpha Round began trending online, the host of Let’s See opened up in a lengthy critique. She questioned the latest choreographies she had observed, saying during a Valencia concert last weekend that she wasn’t sure whether the material was new or simply presented in a different way.
She continued by tying the discussion to broader themes at the debate table. The conversation touched on how media framing can influence perceptions of young performers, including concerns about hyper-sexualization of childhood and the public appetite for sexualized imagery. The Telecinco presenter added that she personally would not want a five-year-old daughter to imitate some of those dance moves at home.
In a later analysis, Pardo did not soften her critique, describing the performances she viewed as more than mere showmanship. She characterized the choreography as hyper-sexualization rather than pornography, signaling a nuanced distinction between adult performance and material accessible to minors. The commentary was presented as part of a broader discussion on what is appropriate for younger audiences in today’s media environment.
As the conversation moved forward, the presenter noted the practical concerns around age-appropriate content. She argued that even when certain styles may appeal to an adult audience, they may not be suitable for children who could encounter such imagery in everyday spaces or online feeds. The emphasis remained on responsible media consumption and the role of guardians in guiding viewing choices.
Meanwhile, Joaquín Prat weighed in with a different perspective. He acknowledged that he had never attended an Aitana concert, yet suggested that the response could vary depending on context. His stance implied a more permissive view of the performances when viewed by adult audiences and highlighted the importance of parental judgment when a child is present during a show. The exchange underscored a broader media conversation about boundaries, audience age, and interpretive responsibility in live and televised events [Cited: Telecinco discussions].