Photojournalist Miguel Early has stepped away from the show Deluxe, or at least that’s how it appears for now. He announced the situation on his social networks, using the moment to level sharp criticisms at the program and the production company behind the format. Early’s message signaled more than a simple departure; it framed the split as a breakdown in professional accord rather than a routine casting change.
“I must inform you that Viernes Deluxe and La Fábrica de la Tele have relinquished my services, much as a fictional Don Vito Corleone might imply,” he wrote, adding that Telecinco and Mediaset made the decision without seriousness or a clear, month-long commitment. The statement suggested a unilateral move by the network and producer, leaving many observers to wonder about the exact terms and the broader implications for the show’s future. The timing of the note underscored a broader shakeup within the program’s ecosystem, complicating a quickly evolving media landscape.
With a storied career built on gossip journalism, Early had become a regular presence on Deluxe for several years, and his absence now points to a significant shift in the program’s on-air dynamics. The professional partnership once characterized by consistent appearances appears to have reached a turning point, inviting speculation about how the format will adapt and who might fill the gap left by his departure. Yet the journalist’s departure is framed more as a personal assertion of boundaries than a mere contractual hiccup, signaling a moment of professional autonomy after a long period in the spotlight.
In reflecting on the turn of events, Early offered a philosophy that framed his exit as a new beginning rather than an ending. He spoke of freedom of expression and freedom of information as pillars of his career, insisting that his decision to leave was driven by a resolve to protect those values. The phrase “There is a life beyond television” echoed a broader wish to reassure readers that professional identity can endure beyond a single program or network, and that integrity remains a core compass in journalism and media engagement. The message carried a calm, confident tone, steering attention to the larger arc of a journalist’s career beyond the current chapter.
As the public reaction unfolded, Early appended a final note to his audience and colleagues. He encouraged colleagues and guests who had trusted him to move forward with a clear conscience, stressing that his own stance was one of resilience and clean boundaries. He thanked those who had supported him and acknowledged that, for the rest, the road would continue with health and good fortune. The closing sentiment—“Everything comes”—read as a quiet affirmation that new opportunities will emerge, even when a high-profile collaboration ends. The episode thus marks a moment of transition that may reverberate through the broader media landscape, inviting ongoing discussion about editorial independence, producer-creator relationships, and the evolving career paths of seasoned entertainment journalists.