Contestants on GH VIP gathered this Sunday with uneasy moods, voicing clear discomfort about how the second debate had been organized. The setting inside Guadalix de la Sierra carried a charged atmosphere as viewers online and residents alike pointed out ongoing issues with the production’s pacing, the flow of questions, and the overall fairness of the sequence. The debate format, once touted as a chance for contestants to present themselves under scrutiny, became the focal point of frustration, leading to conversations that stretched beyond the living room walls and into social chatter across the country.
Oriana initiated the broader discussion in a small circle of peers, addressing the tension head-on with a tone of concern. Laura Bozzo joined in, questioning the treatment she perceived as unfair and revealing a spark of indignation about how the events could affect professional reputations. The Peruvian commentator articulated a worry that many felt: the feeling of disrespect and the possibility that the episode could harm the contestants’ careers. As the dialogue unfolded, Marta disclosed that Oriana had already voiced her complaints to the production team, signaling that the discontent ran deeper than a single moment on screen and reflected a larger sense of dissatisfaction with how things had been handled behind the scenes.
From there, the conversation shifted toward what contestants deemed a respectful approach to the show. One participant urged a basic standard of decorum, insisting that the group be treated with courtesy and that the attention given to each individual be proportional to the effort they invest. Sol Macaluso chimed in with a practical perspective, suggesting that the Sunday segments could be minimized to brief appearances, with the team prioritizing the material that truly mattered to the audience. The idea was to reduce repetitive exposure and reframe the viewing experience around meaningful moments rather than repetitive appearances that felt manufactured. A recurring theme was the balance between humor and seriousness, with some noting that while levity has its place, it should never come at the expense of respect for the participants and their journeys on the show.
As the debate on wardrobe and presentation continued, the group reflected on the dynamics of the looks chosen for the air. Pilar commented on the Venezuelan actor’s outfit, noting its appeal and expressing concern that an especially liked style could become overused. The notion of adopting a brighter, more relaxed aesthetic for upcoming episodes—such as wearing pajama-inspired outfits in a riot-inspired vibe—was floated as a playful counterpoint to the more formal, televised attire. The comment was less about fashion and more about signaling a shift in tone, inviting the audience to see contestants in a different light while maintaining the authenticity of their personalities. The exchanges remained lively, peppered with humor and candid observations about the visual storytelling that accompanies their time on screen.
Before this conversation gained momentum, Oriana had already critiqued a separate game segment, expressing disappointment with the way the audience precipitated outcomes. The exchange in question, a game that required viewer votes, left her feeling hurt and suggested that similar sentiments were echoed across the entire house. Actions in the program, she implied, could erode the sense of camaraderie and romance that had been cultivated, threatening to erode the emotional investment of watchers and participants alike. She voiced a desire to be valued, to feel that their presence on the show mattered beyond mere entertainment, and called for a moment of recognition that acknowledged the significance of each contestant’s experience. The mood in Guadalix carried an undercurrent of longing for a more respectful, transparent, and inclusive approach to the competition, one where every participant had a clear sense of purpose and belonging rather than a constant feeling of being judged by a distant, sometimes opaque production machine.