Cristina Pedroche closed the year as the final guest on El Hormiguero, bringing a mix of glamour, personal storytelling, and behind the scenes anticipation for the New Year’s Eve broadcast. The presenter, who is set to host Bells on Antena 3 alongside Alberto Chicote in keeping with the show’s tradition, joined Pablo Motos to share thoughts on the outfit she will wear for the big night. The interview unfolded like a window into a year that blended career milestones with intimate moments, including a candid recollection of the moment she welcomed her daughter, described by Pedroche as one of the most powerful experiences of her life.
The room carried a palpable warmth as Pedroche revealed that the birth video had been shown to Motos before the taping began, a personal memento that underscored the gravity of what had happened in her life. The exchange touched both women deeply, with Pedroche noting that tears were shed on both sides as the video wrapped up. She described feeling incredibly strong, in command of the moment, and certain that the arrival of her daughter marked a turning point she would carry with her forever. To her, meeting her child was the ultimate highlight, a milestone that reshaped her sense of purpose and joy.
During the conversation, the topic of the birth itself was handled with quiet reverence by the guests on set, who listened as Pedroche spoke about the most intense sensations she experienced. She recalled a scream that felt almost primal, a raw, animal-like cry that rose from deep within and could not be replicated in ordinary life. The emotion connected to the experience, she explained, as if the body had opened a window to the world, allowing something intimate to come forth in a way that could never be forgotten. The description highlighted the profound, almost sacred nature of childbirth and the sense of transformation that accompanies it.
The presenter emphasized that while the moment was extraordinary and, at times, overwhelming, it was also precious. Pedroche described how the emotions built gradually, sending chills along her spine and triggering a stream of tears as the memory reemerged in her mind. She even teased that she would rewatch the moment again, acknowledging the hard work and deliberate breathing that accompanied every stage of birth. The honesty of her account offered a rare glimpse into the personal life of a public figure, showing courage and vulnerability alongside professional achievements.
As the conversation turned to the coming December 31st, attention shifted to the anticipated bells and the responsibilities of leading Antena 3’s Campanadas for the ninth consecutive year. Pedroche spoke with quiet conviction about the significance of the moment, describing it as more than a job. For her, the ritual carries a deeply personal meaning that transcends routine. She stressed the desire for a flawless performance, one that aligns with her own expectations and allows the audience to experience joy and release. The sentiment reflected a commitment to authenticity, a hallmark of her approach to a televised moment that becomes a shared celebration.
The discussion then moved to the outfit that every year drips with expectation. Pedroche spoke about the dress as if it were a living symbol, comparing it to a jewel and drawing a line of intimacy between the two: the garment and the daughter she calls her greatest treasure. She hinted at the concept behind the fabric choices, noting that this particular ensemble would differ from recent years, moving away from traditional textile-focused designs. The message was clear: the dress would be striking, meaningful, and aligned with the mood of the moment, without relying on familiar patterns. The on-air tease about the garment, and the absent details, only heightened the curiosity of viewers eager to see how the look would unfold on air around the countdown. The interplay between fashion and family life framed Pedroche’s approach as both stylish and grounded, a balance that resonated with audiences who follow her closely for candor and character alike.