Cristina Pedroche closed the year as a guest on El Hormiguero, bringing warmth and a touch of glamour to the studio as she joined Pablo Motos for a candid conversation. The renowned presenter, a familiar figure on Antena 3 for Bells with Alberto Chicote, discussed the outfit she plans to wear for New Year’s Eve while sharing moments from a life that blends public duty with personal joy. The chat naturally touched on one of her most intimate milestones: the birth of her daughter, Laia, described as one of the happiest experiences of her life.
Pedroche recalled the moment she shared a video of the birth with Motos before stepping onto the set. She described the emotions that washed over both of them, noting that tears were shed at the end of the clip. That shared moment lingered, a reminder of how deeply personal milestones can become universal when shared publicly. She spoke of feeling strength and control during labor, and of meeting her daughter as the pinnacle of that journey—a life-changing event that remains unforgettable.
The discussion then moved to the intensity of childbirth, both physical and emotional. Pedroche described her reaction during the delivery, saying her cry was a raw, almost primal sound that came from a deep place within. It felt like her body was opening to the world, a powerful display of resilience that many mothers will recognize in their own experiences.
The host highlighted the beauty and rarity of such moments, underscoring that while extraordinary, they are also precious. Pedroche admitted feeling a surge of emotion and a chill of excitement as the birth unfolded, a blend of awe and gratitude for the life she helped bring into the world. In a lighthearted moment, she teased Motos about sharing the birth footage again, joking that she had learned breathing techniques and that she would rewatch the scene with loved ones when appropriate.
As the year drew to a close, attention turned to the upcoming New Year’s Eve appearance. Pedroche confirmed that she would again lead Antena 3’s Campanadas for a ninth consecutive year, guiding the audience through the countdown to midnight. She spoke with clear conviction about the significance of the moment, framing it as more than a job. For her, the Campanadas represent a personal ritual that blends celebration with a wish to share joy, forgiveness, and peace with viewers. She emphasized a preference for a smooth, authentic performance that reflects her ideas of precision, emotion, and connection with the audience.
On the outfit that has become a symbol of the year’s end, Pedroche spoke with reverence and responsibility. She described the garment as a symbol of life and a precious jewel, drawing a heartfelt parallel to her daughter, whom she called the most valuable jewel in her life. The discussion then turned to the fashion process itself. Pedroche explained that the outfit embodies more than fabric—it tells a narrative about balance, performance, and identity. She hinted at evolving textile choices, noting that the direction for this particular dress has shifted over the years. It is about the statement it makes and the moment it frames when worn on screen, not merely the material itself.
Throughout the interview, the tone remained intimate yet poised, sketching a portrait of a public figure who embraces personal milestones while staying committed to delivering a memorable broadcast. The conversation with Motos highlighted not only the anticipation around the New Year’s Eve spectacle but also the impact of motherhood on Pedroche’s perspective. The experience shapes her public persona and informs her approach to the year’s final performance. The narrative of a mother, a performer, and a presenter comes together to illustrate how personal journeys can enrich professional endeavors, forging connections with audiences that extend beyond the studio lights. [Citation: El Hormiguero interview coverage, end-of-year episode]