Seven months after the 2022 World Cup themed song for the Spanish team, a new track arrives. Why the wait?
After Eurovision, the artist felt a need to explore her identity as a performer who spent years playing roles. The process takes time. Everything moves quickly now, with artists releasing singles constantly, which is fine, but she wanted to grow so she wouldn’t feel like a manufactured product. Her approach is steady, like a low simmer, aiming for authenticity rather than hype.
Journalists sometimes scrutinize record labels for a lack of patience with artists and for short-term thinking. When patience arrives, it can trigger surprise about what the artist is doing with her career.
Eurovision was a bold, concentrated moment. Her singing career began with a strong breakthrough, and now she must build a lasting path. She spent time in the studio when someone told her she felt lost, and she took that as a signal to refine her craft.
Clavaíto is a track born in a creator’s lab, with multiple co-writers and producers. Every detail was meticulously planned.
Abraham and the artist connected spontaneously. He invited her to his studio with no excuses, and one morning she woke with a desire for bachata. They explored it together on the music controls and created the song as a duo. The project thrives on their collaboration alone.
When the interview earlier last year asked about building a distinct identity, she confirmed a clear personal direction. Has she achieved it?
Almost completely. A few elements set her apart. She was born in Cuba and carries Latin American influences in her heart. Her singing style draws from musical theatre, and both voice color and stage presence matter to her. Dance, acting, and music videos help define her artistry. Clavaíto embodies a fusion of Latin sounds and pop energy that reflects her identity.
The track centers on a couple whose relationship is tested by distance and separation.
This is a relatable theme. Love can endure even when distance parts lovers, and the lyrics capture that moment of choosing to express what remains, which gave birth to Clavaíto.
The video takes on a dark, cinematic tone reminiscent of Kill Bill, with a visual focus on sharpening a katana.
Director Willy Rodríguez crafted a cinematic arc: the artists play hitmen, and years later she runs a casino where tense confrontations erupt. When they meet again, a shared wound marks their past. The tension becomes a compelling dance, and Abraham’s performance stands out.
Should fans expect another seven months of waiting before an album appears?
An album release is planned for later in the year. Details are being kept under wraps, but a new collaboration is on the horizon for May with Rayito, a Madrid-based producer.
Does the pressure of a delayed moment worry her about losing reach?
What is the moment anyway? If there was a key, it would make things easier, but ultimately the art speaks for itself and guides the path.
In a past discussion, the artist described starting as someone who was just getting going and then rising to prominence on television as a judge. How is this frame?
Things feel different now. The artist has spent sixteen years pursuing her craft. If she were a judge on a different show, she would bring clarity about technique, potential, and discipline. Her perspective centers on what makes a performer stand out: presence, skill, and dedication.
Have the critics who challenged her online cooled off?
Critics are always present, and some moments lead to apologies. The artist is open to dialogue and would welcome a constructive conversation with those who disagreed with her.
How does she stay steady amid a storm of attention?
Professional support helps a lot. Psychologists, coaches, and close friends offer strength. A stable circle keeps her grounded through pressure and noise.
Has the aim been purely to sing, or to become a public figure as well?
The goal is to handle pressure, not to chase fame. The dance world is demanding—training through injuries and pushing forward teaches resilience. This journey is about growth and mastery as much as visibility.
Eurovision nights always bring anticipation. The Top 4 from last year were invited to perform, but not this time for her. What happened?
She was not invited. The exact reasons remain private. What matters is the journey itself and the hope to perform at festivals that have meant a lot to her and her career.
What does she think of Blanca Paloma and the song Eaea?
She hopes Blanca wins and enjoys teamwork with her. When she met Blanca, she sensed calm, control, and artistry. She carries the song in her head and believes it will resonate with listeners.