“Great works are written by drunks, drug addicts, and brawlers.” “I’ve always set out to grow old with dignity, and I think I understand that.” “Toxic love yields some great songs”. “It shouldn’t be the hour before the concert.” they are some quotes saber Pronounced ‘sorry’and if they were all put together it would be enough to fill a few articles like this. Governing Fernando Leon de Aranoa and voiced a long conversation between the filmmaker and the musicianThe documentary takes place over 13 years, one shadow of the other, since 2009, when Sabina went to Rota with poet Benjamín Prado to write her album ‘Vinagre y rosa’.
The film, yes, is not a chronological journey, but a succession of occasional moments brought together in successive leaps in time. “We soon discovered that it would not make sense to impose a narrative structure.”confirms the Madrid director from the San Sebastian Festival, where the film was presented out of competition this Saturday. “The script itself was the absence of a script. There is always something going on around Joaquín and it was about embracing that glorious chaos.”
In fact, Sabina begins the behind-the-scenes film of her Wizink concert with Joan Manuel Serrat in February 2020, just before the fall that put her in emergency surgery and has separated her from the public ever since. “Damn Fernandito, don’t make fun of me, you’re not going to start the movie with the shit I gave myself, are you?”, the artist complains in one of the first scenes, and from there he goes to Mexico City, his native Úbeda, to the intimidating Plaza de Las Ventas, and then to Aguascalientes, where José Tomás almost died for a goring, and we are in pain and horror see her grimace.
tangos and novels
during the journey, the singer reflects on her career, family, love stories and fans; reflects the happiness of creating a beautiful continent on the face; He declares that José Alfredo Pérez is passionate about farmhouses — “he’s the best at dealing with heartbreak,” confirms — and suggests that maybe all of his songs are tango — “tango has everything I love: suburbs, baddies, knives, whores”– and he admits that his first life plan was to “be a high school teacher in the country and spend weekends writing a great novel that almost no one will read but the critics will cheer up”, until the guitar cuts it short.
Sabina gets emotional when she visits Úbeda, where she reads aloud some of her father’s verses and soon after he complained: “One of the clouds I carry in my soul is that when I started playing in big venues, my father had Alzheimer’s and my mother was very ill. They died immediately. They couldn’t take pleasure in the boy’s success, and they would enjoy it like crazy.”
“One of my intentions with the movie is to take the icon and bring the person behind it to give it nuances.”, ‘Mondays’ and ‘The Good Boss’ director comments. I’m more concerned with her weaknesses, her vulnerability, her unique ability to question everything and contradict herself.” ‘Sentilo Mucho’s Sabina is a paradox with dark circles under her eyes. She is an anarchist and liberal at the same time, an atheist dedicated to Holy Week. He describes himself as a livestockman in love with the festival of bulls and bulls; he’s had the public in his hands for decades and still continues to suffer from the gruesome attacks of stage fright. “It’s unbelievable that this happened to me in my 40-year career”She protests as she emerges from the bathroom after vomiting half an hour before a recital, and declares she is unsure whether the public’s admiration makes her feel “a God, a scumbag, or maybe a scumbag God.”
Sex, Drugs And Rock’N’Roll
Unapologetically drunk, naked and depressed, he smokes like a coachman and drinks whiskey, cava and tequila.clearing her throat of frightening violence, she tore her phlegm. He remembers writing “19 days and 500 nights” “during three days of sleepless and very easy sessions” and that his life was essentially based on too much sex, drugs and rock’n’roll. It lasted until he was 50. Not bad, huh?” For me, those were happy experiences. When they stopped being happy, I let it go.”
After suffering a stroke in 2001 and meeting her current partner, Jimena, Sabina discovered Faith, which was good for health but “deadly for writing good songs.” She is 73 years old today and has many plans. True or not, the new documentary has the symbolic weight of a testament, or at least the importance of a tribute to the most famous compositions in its repertoire, as well as to nurture future generations. “I can’t improve the old songs I made. I see myself as incapable of developing them”, she admits, she feels very sad.
Source: Informacion
