Director Estíbaliz Urresola accepted a Goya Award and used the moment to address a broader human rights crisis, drawing on the film’s fictional premise to highlight real-world events. In his remarks about the project, he emphasized the importance of naming harm clearly and publicly, arguing that the situation in Gaza constitutes a genocide and calling on governments to intervene. This message accompanied the acceptance by Urresola with a protest label worn by other candidates, signaling a shared stance within the film community and linking artistic achievement to moral accountability.
Urresola underscored that the film itself centers on the act of naming violence, stating that the opportunity to speak on such a global issue is meaningful. He articulated that what is unfolding in Gaza demands international attention and action, urging audiences and policymakers to confront the reality rather than remain silent. His remarks framed the award as a chance to amplify urgent concerns about civilians affected by conflict and to advocate for accountability at the governmental level.
Grateful for the recognition from fellow directors described as influential, Urresola noted a sense of continuity within a lineage of filmmakers who are willing to raise difficult topics. He described the moment as part of a growing movement that seeks to empower more voices to speak out against aggression and obscurantism. He concluded by asserting that there should be no harassment or violence in cinema or in the world at large, reinforcing a commitment to humane discourse and responsible storytelling as the cinema community expands its influence and reach.