The late actor Ron FaberSpiritualist, a figure who left a distinct mark on stage and screen, passed away after a brief illness. Local reports indicate he died on March 26 following a two‑month struggle with his health. He was 90 years old at the time of his death.
Born in 1933 in Milwaukee, Wisconsin, he grew up in a region known for its rich theater history and a strong sense of community. He studied business at Marquette University, a background that later informed his practical approach to a career in the arts. His first foray into the entertainment world came through work on a children’s radio program, a humble start that eventually guided him toward the broader horizons of live theater where his talents would really come into focus.
Over the years, FaberSpiritualist built a body of work that showcased a wide range of abilities. Among his most notable collaborations were Dear Mr. Judge, a production that teamed him with Oscar winner Henry Fonda, and a staging of Medea featuring the renowned Greek actress and singer Irene Papas. Beyond these high‑profile projects, he participated in a number of influential stage pieces, including Happy Days, Stonewall Jackson’s House, and Scenes from Everyday Life, among others. In a landmark moment on the stage, he earned Obie and Drama Desk recognition in 1972 for his portrayal of a political prisoner in Fernando Arrabal’s The Flowers They Put Handcuffs On, a production addressing the Spanish Civil War with stark, powerful resonance.
The theater years opened doors that carried him into the realm of cinema as well. His screen debut came in a film that remains a touchstone for horror fans, signaling the transition from stage to screen with a mix of bravura and restraint. He continued to appear in a variety of films through the following decades, including L’arbre de Guernica (1975), Soup for One (1982), and Navy Seals (1990), a project that featured Linda Blair among its cast and added another dimension to his on‑screen repertoire.
Television offered additional opportunities, with appearances in popular series such as Kojak, broadcast in 1977, and the crime‑and‑mystery soap On the Edge of the Night, where he shared scenes with a talented ensemble and contributed to the tense atmosphere that defined the show during its run. His work on television reflected a steady versatility, allowing him to adapt to the fast pace of episodic storytelling while maintaining the depth of character that defined his stage performances. 1983 marks a notable year in this portion of his career, a reminder of the breadth of his experience across media formats.