If you’re picking something to watch tonight and you’re in the mood for comfort TV, here are some fresh recommendations. For viewers who skip reality and talent shows, there are other options to explore on the lineup. Master Chef Celebrity, The Y Debate, and The Seduction are among the fresh releases. If gossip isn’t your thing, you might bypass Telecinco’s schedule, which features the ninth episode of a series named Rocío. Antenna 3 offers Anthill 3.0 and a new take on the series Siblings.
The cinema side is less predictable, with La 2 offering a classic title that continues to hold its appeal, while La Sexta also has a strong pick on the radar. The goal is to present a balanced evening with both light entertainment and substantial storytelling.
What is Regression about?
Regression, released in January 2017, is a Spanish thriller that centers on a businessman with considerable wealth who becomes entangled in murder accusations. To defend himself, he hires a lawyer known for his persuasive style. The cast includes Mario Casas, Ana Wagener, Jose Coronado, and Barbara Lennie, among others, delivering a tense, character-driven narrative that examines guilt and accountability under mounting pressure.
The film runs about 106 minutes and unfolds with a pace that keeps the tension tight from start to finish, weaving in legal drama with psychological suspense as the mystery deepens and the stakes rise.
Antonio Dopazo’s review: A thriller with compelling motives
The film marks a thoughtful progression for director Oriol Paulo, a Catalan filmmaker who previously drew attention with El Cuerpo. This second feature builds on his strengths while tackling new challenges, and it shows in the way the plot is structured to maintain momentum. The director carefully crafts a cast that feels real, with performances that sustain the drama rather than letting it slip into melodrama. The core concept remains clear while the execution adds nuance that keeps viewers engaged.
The performances stand out, particularly from Ana Wagener, Jose Coronado, and Barbara Lennie, with Mario Casas delivering a restrained, effective presence that fits the tone. Paulo’s courtroom thriller raises questions about the consequences of snap decisions under pressure and how those decisions ripple outward. The story follows Adrián Doura, a young entrepreneur who awakens in a hotel room beside his partner’s body. Distressed and unable to explain what happened, he enlists a prestigious lawyer to guide him in a rapid, time-sensitive investigation that could change everything.
The film also explores Adrián’s relationship with his girlfriend, Laura, and the moment a fateful encounter with a deer sets off a chain of events that veers into chaos. While the first half of the movie lands more effectively, there are moments where the tension feels manipulated. Still, the director maintains a confident restraint, avoiding overreaching flourishes and letting the core narrative carry the story. The result is a thriller that respects the audience and relies on sharp performances to keep the viewer hooked.
Overall, the production benefits from a seasoned ensemble and a director who balances procedural detail with psychological insight. Some scenes push the envelope, but the film never loses its footing. The actors handle difficult material with composure, delivering a credible portrayal that sustains the emotional gravity of the case and invites viewers to weigh the moral implications of each decision as the plot unfolds.